Suchergebnisse
Suchergebnisse:
Fluxhouse Cooperatives. From 1966 to 1975, George Maciunas realized the social objectives of Fluxus towards a pragmatic and non-elitist conception of art in his work as an urban planner in the Fluxhouse Cooperatives. With $20,000 grants from the J. M. Kaplan Fund and the National Foundation for the Arts, Maciunas purchased his first building in ...
Fluxhouse Cooperatives. From 1966 to 1975, George Maciunas realized the social objectives of Fluxus towards a pragmatic and non-elitist conception of art in his work as an urban planner in the Fluxhouse Cooperatives. With $20,000 grants from the J. M. Kaplan Fund and the National Foundation for the Arts, Maciunas purchased his first building in ...
3. Mai 2019 · A feature documentary as mercurial as its subject: the impresario of the international avant-garde art movement Fluxus (1962-78). Featuring interviews with Y...
- 1 Min.
- 33,3K
- Kino Lorber
George Maciunas, Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms, annotated by Alison Knowles. 1973 [V.B.1.201*] Maciunas’s ambitiously detailed art history chart positions Fluxus, often relegated to an art historical footnote, as the culmination of a distinguished artistic lineage.
Die Ausstellung George Maciunas - Der Traum von Fluxus war eine umfangreiche Werkschau, die durch Arbeiten anderer Künstler ergänzt wurde. Sie thematisierte erstmals Maciunas persönliches Engagement für rund zwanzig internationale Avantgarde-Künstler. Der selbsternannte "Chairman" des Fluxus war an vielen kollaborativ entstandenen Arbeiten beteiligt. Die Idee von Werken ohne Geldwert, wie ...
GEORGE MACIUNAS / FLUXUS FOUNDATION INC. Lithuanian-born American artist George Maciunas (1931-1978) is best known as the founder and central coordinator of Fluxus from 1962 until his untimely death in 1978. Fluxus was a global collective of artists, musicians, designers bound by their intermedia sensibility and experimental enlightenment.
Two years after the 1963 Manifesto, George Maciunas produced another manifesto, significantly different in tone. But in this new statement Henry Flynt’s ideas once again seem evident. Maciunas introduces the topic of “Fluxamusement,” which appears to be an adaptation of Flynt’s “Veramusement,” one of the “successive formulations ...
