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  1. L' American Visionary Art Museum est un musée d' art fondé et dirigé par Rebecca Hoffberger, et situé à Baltimore ( Maryland, États-Unis ). Inauguré le 24 novembre 1995, il est localisé au sud de l' Inner Harbor sur un terrain légué par la ville. Ce terrain ne fut cédé qu'à la condition qu'y soit effectué une dépollution des ...

  2. Visionary. Defined broadly, a visionary, is one who can envision the future. For some groups, this can involve the supernatural or use of mind-altering drugs. A visionary state can be achieved via meditation, drugs, lucid dreams, daydreams, or art. One example is Hildegard of Bingen, a 12th century artist/visionary and Catholic saint. [1]

  3. en.wikipedia.org › wiki › Outsider_artOutsider art - Wikipedia

    Outsider art. Outsider art is art made by self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the conventions of the art worlds . The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal. [1] It is an English equivalent for art brut ( French ...

  4. Welcome to the American Visionary Art Museum, the nation's museum for self-taught, intuitive artistry. AVAM specializes in original thematic exhibitions that seamlessly combine art, science, philosophy, humor, and especially social justice and betterment.

  5. In common parlance "psychedelic art" refers above all to the art movement of the late 1960s counterculture, featuring highly distorted or surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance psychedelic experiences. Psychedelic visual arts were a counterpart to psychedelic rock music.

  6. Виженари-арт (англ. Visionary art — визионерское искусство) — художественный стиль, имеющий в своей основе спонтанное изображение увиденного в изменённом состоянии сознания, религиозного, медитативного созерцания ...

  7. The charter of the Boston Visionary Cell underscores Laffoley's thought processes "to develop and advance visionary art". By the late 1980s, Laffoley began to evolve from the spiritual and the intellectual to the view of his work as an interactive, physically engaging psychotronic device, perhaps similar to architectural monuments such as Stonehenge or the Cathedral of Notre Dame and their ...