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8. Apr. 2011 · Lili Damita made about 30 movies, starting in European silent films with directors Michael Curtiz and G.W. Pabst. She came to America in the late '20s, and may be best known for films such as The ...
Lili Damita begann im Alter von 16 Jahren als Kabaretttänzerin , dann arbeitete sie als Zeitschriftenführerin im Casino de Paris.. In ihren Anfängen unter dem Namen Damita del Maillo Rojo bekannt, dann unter Lily Seslys oder Deslys, nahm sie ab 1923 endgültig den Namen Lili Damita an .
Lili Damita found herself increasingly at the center of the American cult of celebrity during the ensuing years. Fan magazines and newspapers alike chronicled every detail of her life, her rumored or genuine love affairs, changes of hairdo, and new film roles. By the mid-1930s, she was an established superstar and had been romantically linked with many men, including Prince Louis Ferdinand of ...
21. März 1994 · 1925. Red Heels as Célimène. 1924. The Clairvoyant as Suzanne. 1922. L'Empereur des pauvres as Riquette. Lili Damita (born Liliane Marie-Madeleine Carré, 10 July 1904 – 21 March 1994) was a French-American actress and singer who appeared in 33 films between 1922 and 1937.
17. März 2022 · Lili Damita was 23 years old and on her way to California. Earlier that year Samuel Goldwyn, in Europe looking for another Garbo, had spotted Damita in a film made in her native France and arranged for her to travel to Hollywood, where she was due to star in an adaptation of Joseph Conrad’s The Rescue opposite Ronald Colman.
Lili Damita 1904-yil 10-iyulda Fransiyaning Blaye shahrida tugʻilgan. Uning otasi ofitser edi. [1] U bir qancha mamlakatlarda vatani Fransiyada, Ispaniya va Portugaliyada monastirlar va balet maktablarida tahsil olgan. 14 yoshida u Parij opera teatriga raqqosa sifatida qabul qilindi.
Das Spielzeug von Paris, die ambitionierteste Produktion der Sascha-Film des Jahres 1925, entstand in Wien und in Paris und wurde am 16. Oktober 1925 in Wien uraufgeführt. Der Sechsakter besaß eine Länge von etwa 3000 bis 3100 Meter. Artur Berger gestaltete die von Gustav Abel umgesetzte Filmbauten.
