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  1. While Hazlewood's solo recordings could be folky (1963's Trouble Is a Lonesome Town), opulent (1967's Lee Hazlewoodism: Its Cause and Cure), or brutally honest (1971's Requiem for an Almost Lady), they were always happily eccentric. In later years, his music was rediscovered by a new generation of musicians who fell in love with his singular vision. He was inspired to begin recording again ...

  2. 28. Dez. 2010 · From the 1966 album "The Very Special World of Lee Hazlewood"Lyrics:Stranger's arms reach out to me cause they know I'm so lonelyThen my mind goes back to y...

    • 4 Min.
    • 61,9K
    • CptNeptun
  3. 4. Aug. 2007 · Vem kan segla förutan vind? Lee Hazlewood covered Paris Song, It Had to Be You, Beginning to Feel Like Home, Run Boy Run and other songs. Lee Hazlewood originally did Don't Get Around Much Anymore, Beginning to Feel Like Home, Paris Song, Run Boy Run and other songs. Lee Hazlewood wrote Some Velvet Morning, Sand and Moovin' n' Groovin'.

  4. Barton Lee Hazlewood (July 9, 1929 – August 4, 2007) was an American country and pop singer, songwriter, and record producer, most widely known for his work with guitarist Duane Eddy during the late 1950s and singer Nancy Sinatra in the 1960s and 1970s. [1] His collaborations with Sinatra as well as his solo output in the late 1960s and early ...

  5. https://link.lightintheattic.net/NancyLeePOLight in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 ...

    • 4 Min.
    • 334,7K
    • Light In The Attic Records
  6. (Top) 1 Albums. Toggle Albums subsection . 1.1 Main albums. 1.2 ... The Very Special World Of Lee Hazlewood. Released: 1966; Label: MGM Records; Water, 2007 Light in the Attic, 2015 Lee Hazlewood Presents The 98% American Mom & Apple Pie ...

  7. en.wikipedia.org › wiki › Nancy_&_LeeNancy & Lee - Wikipedia

    Nancy & Lee is a collaborative studio album by Nancy Sinatra and Lee Hazlewood, released on Reprise Records in 1968. Arranged and conducted by Billy Strange, the album was produced by Lee Hazlewood. It peaked at number 13 on the Billboard 200 chart. In 2017, Pitchfork placed it at number 87 on their "200 Best Albums of the 1960s" list.