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  1. Vor 7 Stunden · Phantastic Worlds Filme, Stars und TV

  2. Vor 7 Stunden · The Q&A was followed by a truly special and unique event, namely a gig by The Stool Pigeons, a band put together for the occasion and comprising the afore-mentioned Messrs Goddard and Ross together with Russell Burn (Fire Engines and Win) on drums, all under the direction of Mick Slaven and Douglas Macintyre, two musicians who have long been at the heart of decent indie music in Scotland for ...

  3. Vor 7 Stunden · May 28th – Ranking Carey Mulligan Movies On Her 39th Birthday. May 28, 2024 Cogerson Leave a comment. Carey Mulligan Movies | Ultimate Movie Rankings. (Visited 1 times) Previous Post Memorial Day – Remember & Honor.

  4. Vor 7 Stunden · Il 22 Marzo 1965 viene pubblicato Bringing It All Back Home dalla Columbia. Verrà distribuito in alcuni paesi con il titolo di Subterrean Homesick Blues, nome del primo singolo, ma ciò che importa è che è uno dei più grandi dischi di Dylan, ergo, è uno dei più grandi dischi della storia del rock. Perchè riesce nell'intento che si era ...

  5. Vor 7 Stunden · Photographs by Dorothea Lange; text by Paul Taylor. New York: Reynal & Hitchcock, 1939 “We need to be reminded these days about what women have been, and can be. It’s a question of their really deep and fundamental place in society. I have a feeling that women need to be reminded of it. They are needed.” ~ Dorothea Lange

  6. Vor 7 Stunden · Consequently, Hitchcock cast Cary Grant in his next film, North by Northwest (1959), a role Stewart wanted; Grant was four years older than Stewart but photographed much younger. Stewart's second 1958 film release, the romantic comedy Bell, Book and Candle (1958), also paired him with Kim Novak, with Stewart later echoing Hitchcock in saying that he was miscast as 25-year-old Novak's romantic ...

  7. Vor 7 Stunden · Chi mi segue da un po’, sa che non ho una particolare predilezione per l’horror, soprattutto se splatter. Quello che invece mi piace è l’horror psicologico, il film di atmosfera, in cui il mostro c’è, ma non si vede, se ne avverte solo la presenza inquietante.