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2. Juni 2024 · Chapter three chronicles Marcel Proust’s quest to remake the novel by finding a way to capture the passage of time through writing. Beginning with his first attempt at the novel, and examining Proust’s unfinished and largely understudied Jean Santeuil, this chapter begins by revealing Proust’s highly fragmentary approach to writing.
2. Juni 2024 · Even as the temporal stereoscopy of Marcel’s journey by train is less profound than, say, that of the madeleine scene, it still provides an instructive example. As we have already seen, Proust drafted a description of the landscape outside the train, with dawn breaking on one side and the moon still shining over a sleeping town on the other. To transform this static scene into a temporal ...
2. Juni 2024 · Chapter two reveals Raymond Roussel’s attempts to devise a method for the industrial production of the serial novel, essentially doing for early twentieth-century literature what Thomas Edison was achieving at the time through media.
2. Juni 2024 · Loy’s treatment of text as both a visual and semantic object, and of handwriting as a medium that can translate involuntary mental images into prose, suggests far more interesting forms of textual production. This source of methodological innovation does not lie in the future or in a triumphalist narrative of technological progress. It can be found in a place often seen as worlds apart from ...
Vor 22 Stunden · Background Joyce first encountered the figure of Odysseus/Ulysses in Charles Lamb's Adventures of Ulysses, an adaptation of the Odyssey for children, which seems to have established the Latin name in Joyce's mind. At school he wrote an essay on the character, titled "My Favourite Hero". Joyce told Frank Budgen that he considered Ulysses the only all-round character in literature. He considered ...
2. Juni 2024 · “Strolling the decks in the morning sun as the ship cruises past the islands of Cephalonia and Ithaca is the nicest part of the trip” The Man in Seat 61. That sentence sold me
Vor 22 Stunden · She recounts in her autobiography From One World to Another (2014) having traveled to Israel to follow the Feuerstein method with her autistic son Ruben. In contrast to previously expressed opinions, television host Églantine Éméyé defends the practice of packing, which she states to have been beneficial to her son Samy in her autobiography The Toothbrush Thief (2015), [282] and during a ...
