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Vor 21 Stunden · On the Christmas album, Manilow was joined by pop girl trio Exposé and together they recreated, note for note, a 1943 million-selling recording of "Jingle Bells" by Bing Crosby and The Andrews Sisters. Manilow has credited Patty, Maxene, and LaVerne Andrews as inspiring him, perhaps most evident in his recording of "Jump, Shout Boogie".
Vor 21 Stunden · Was das Geschlechterverhältnis im Jazz angeht, ist für Frauen immer noch viel Luft nach oben. Mit Netzwerken oder Musikprojekten wie Sisters in Jazz arbeiten Musikerinnen daran, dies zu ändern.
Vor 21 Stunden · Musikjahr 1947. Der US-amerikanische Fotograf, Musikjournalist und Schriftsteller William P. Gottlieb macht in den 1940er Jahren außergewöhnliche Porträtaufnahmen zahlreicher (Jazz-)Musiker, so 1947 von Ella Fitzgerald und vielen anderen. Les Paul (um 1947) Miles Davis und Howard McGhee (1947) Thelonious Monk (1947)
Vor 21 Stunden · Marc Anthony (born 1968) – singer, actor. Judd Apatow (born 1967) – producer, director, comedian, actor and screenwriter. Fiona Apple (born 1977) – singer-songwriter. Jacob Appel – (born 1973), short story writer, bioethicist, born in New York City. Diane Arbus (1923–1971) – photographer.
Vor 21 Stunden · The eclectic mix of white and black vocal group influences – ranging from the rock and roll of Berry, the jazz harmonies of the Four Freshmen, the pop of the Four Preps, the folk of the Kingston Trio, the R&B of groups like the Coasters and the Five Satins, and the doo wop of Dion and the Belmonts – helped contribute to the Beach Boys' uniqueness in American popular music.
Vor 21 Stunden · Keith Sanderson (born 1975), sport shooter [40] Ruth Taubert Seeger (1924–2014), athlete and coach, competed in 1957 Summer Deaflympics, member of Texas Women's Hall of Fame. Willie Shoemaker (1931–2003), jockey. Brandon Slay (born 1975), Olympic freestyle wrestler, gold medalist at 2000 Olympics.
Vor 21 Stunden · The town also remains a frequent destination for soul weekenders, which were popular during the jazz-funk era of the mid-1980s. [210] Blackpool's embracing of punk in the 1970s and the subsequent middle-class reaction to it has been likened to the anxieties of the middle classes during the influx of working-class visitors arriving via the railway system to Blackpool with in Victorian times. [216]
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