Suchergebnisse
Suchergebnisse:
He entered Henry Pars' drawing school in the Strand at the age of ten, was writing poetry by the age of twelve, and by the time he was twenty had produced some of the finest lyrical poetry in the English language.
From early childhood Blake showed a predilection for art and at age ten was enrolled at Henry Pars's drawing school. Fascinated by prints, attracted to the classical style of High Renaissance art, and fortunate to be indulged by his father, Blake began to acquire prints by Dürer, Michelangelo, Raphael and others - artists out of favour and ...
Blake scorned Newton for ignoring the spiritual in his philosophy. Mr. Pars's Drawing School, The Strand Agar Street Photo by Lily Vetch In 1767, at the age of 10, Blake was sent to Mr. Pars’s drawing school. He stayed here for four years, copying plaster-casts. Pars's drawing school was located on the North Side of the Strand in Castle Court.
William BlakeArt is life, science is death. William Blake had his first vision at age 10—a tree full of angels. Artistically precocious, Blake spent his youth at Henry Pars’s drawing school, copying the human figure from plaster casts of ancient statues.
28. Nov. 2017 · His artistic talents led his father to send him to Henry Pars' drawing school at the age of 10, where he learnt to copy from prints and plaster casts, and in 1772 he was apprenticed to the engraver James Basire. Our Lady with the Infant Jesus Riding on a Lamb with Saint John 1800. William Blake (1757–1827) Paintings Collection.
Interested in art from a young age, he attended Henry Pars’s Drawing School on the Strand, where he learned how to draw the human figure from plaster casts. At the age of 14, he began a seven-year apprenticeship to James Basire, a conservative, somewhat old-fashioned commercial printmaker known for his architectural prints.
Pars' elder brother Henry Pars (1734–1806) was a draughtsman and metal engraver, becoming the principal of Shipley's Drawing School. [citation needed] . His sister Anne showed some talent as a pastellist, as well. [6] See also. James Stuart (1713–1788) – like Pars, he also recorded antiquities in Greece and accompanied Nicholas Revett on tours.
