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  1. Leo Castelli, eigentlich Leo Krauss (* 4. September 1907 in Triest, Österreich-Ungarn; † 21. August 1999 in New York City) war ein US-amerikanischer Kunsthändler, Kunstsammler und Galerist. Castelli zählte zeitweise zu den einflussreichsten Personen im internationalen Kunstmarkt des 20. Jahrhunderts

  2. en.wikipedia.org › wiki › Leo_CastelliLeo Castelli - Wikipedia

    Leo Castelli (né Krausz; September 4, 1907 – August 21, 1999) was an Italian-American art dealer who originated the contemporary art gallery system. [1] His gallery showcased contemporary art for five decades. [2]

  3. Leo Castelli. Barbara Bertozzi Castelli. Castelli Gallery. Mailing ListSite IndexAccessibility Policy. Site Index. Back To Top. The Leo Castelli Gallery was founded in 1957. Leo Castelli gave Jasper Johns, Roy Lichtenstein, and Frank Stella, among others, their first one-man shows.

  4. www.castelligallery.com › about › leo-castelliAbout - Castelli Gallery

    Leo Castelli. Leo Castelli was born in 1907 in Trieste, a city on the Adriatic sea, which, at the time, was the main port of the Austro-Hungarian Empire. Leo’s father, Ernest Kraus, was the regional director for Austria-Hungary’s largest bank, the Kreditandstalt; his mother, Bianca Castelli, was the daughter of a Triesten coffee merchant.

  5. 23. Okt. 2019 · Leo Castelli und sein Einfluss in der Kunstwelt des 20. Jhdts. Kunst. Der prägende Einfluss von Leo Castelli und sein erfolgreiches Galerienmodell. Lenny Pop Art. Veröffentlicht: 23 Okt. 2019. Foto: Dikeoucollection / Wikipedia / CC BY-SA 3.0. Leo Castelli, ursprünglicher Name Leo Krauss, Krauss buchstabierte auch Krausz (geb. 1907, Triest - 21.

  6. When Leo Castelli sold Andy Warhol's Campbell's Soup Cans (1962) it proved to be a critical moment for him as an American art dealer. The Castelli Gallery welcomed artists of all veins in the immediate post-Abstract Expressionist years, including practitioners of Pop, Minimalism and Conceptualism.

  7. 31. Juli 2018 · Paul Kasmin Gallery. By 1960, the Abstract Expressionist hero Willem de Kooning was watching his movement get surpassed by the artists represented by his friend Leo Castelli, a group led by Jasper Johns and Robert Rauschenberg. And because of this, Castelli opted not to represent de Kooning, a source of tension between the two of them.