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  1. He was signed by Jerry Wexler to the newly opened country music division of Atlantic Records, and started the album sessions by October 1972. It featured appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek .

  2. Das dort mit den Gastmusikern David „Fathead“ Newman, Dr. John, Bob Dylan, David Bromberg und Flaco Jimenez eingespielte Album Doug Sahm And Band gilt – obwohl es nur Platz 125 der US-Charts erreichte – als Meilenstein des Tex-Mex.

  3. 9. Apr. 2023 · Das dort mit den Gastmusikern David 'Fathead' Newman, Dr. John, Bob Dylan, David Bromberg und Flaco Jimenez eingespielte Album Doug Sahm And Band gilt, obwohl es nur Platz 125 der US-Charts erreichte, als Meilenstein des Tex Mex. Mit "Texas Tornado" folgte unter dem Bandnamen Sir Douglas Band ein zweites Album für Atlantic Records.

  4. en.wikipedia.org › wiki › Doug_SahmDoug Sahm - Wikipedia

    In October 1972, he recorded Doug Sahm and Band in New York City with guest appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek. The release garnered mixed reviews and sold poorly, reaching number 125 on Billboard ' s Top LPs & Tapes.

  5. With help from his friends Flaco Jiménez, Bob Dylan, and Dr. John, Sahm released the album Doug Sahm & Band - Doug Sahm And Band, which included the song "Is Anybody Going to San Antone?" In 1989 Sahm teamed up with Freddie Fender, Flaco Jiménez, and Augie Meyers to form the Texas Tornados.

  6. He was signed by Jerry Wexler to the newly opened country music division of Atlantic Records, and started the album sessions by October 1972. It featured appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek.

  7. www.dougsahm.info › p › biographyDoug Sahm: Biography

    In 1973, Jerry Wexler of Atlantic Records bought Sahm's contract from Mercury and produced Doug Sahm And Band, a "supergroup" album featuring Bob Dylan, Dr. John, David Bromberg, and Flaco Jimenez. Sahm and Meyers continued to record for different American labels throughout the 1970's and early 1980's, but without the popularity of the early years.