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Er spielte noch mit Rhythm-and-Blues - und Latinobands und hin und wieder mit Jazzmusikern wie Elmo Hope und Don Pullen, starb aber 1974 mit 42 völlig vergessen an Leberversagen. Seine Musik erlebte erst in den 1980er Jahren ein Comeback, als die „unterschlagenen“ Blue-Note-Alben in Japan herauskamen.
Track listing. All compositions by Freddie Redd. "Now" - 7:15. "Cute Doot" - 6:17. "Old Spice" - 7:04. "Blues for Betsy" - 5:02. "Somewhere" - 5:56. "Love Lost" - 7:12. Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey, on January 17, 1961. Personnel. Freddie Redd - piano. Benny Bailey - trumpet. Jackie McLean - alto saxophone.
Brooks is best known for his recordings for the Blue Note label between 1958 and 1961, recording as a sideman with Kenny Burrell, Freddie Hubbard, Jackie McLean, Freddie Redd, and Jimmy Smith. Around the same period, Brooks was McLean's understudy in The Connection , a play by Jack Gelber with music by Redd, and performed on an album ...
10. Aug. 2016 · In January 1961, he and Mclean appeared on Freddie Redd's third album, Redd's Blues, which was not issued at the time. In March, Tina made his fourth album as a leader, which was edited and sequenced, but again not issued. Both were ultimately issued in the mid-'80s on Mosaic and make their first Blue Note appearances now. They were ...
- Steven Cerra
Danach, am 17. Januar 1961, folgte eine bis 1989 unveröffentlicht gebliebene letzte Session unter Leitung des Pianisten für das Blue-Note-Label (Redd’s Blues), mit Benny Bailey, Jackie McLean, Tina Brooks, Paul Chambers und John Godfrey, erschienen 1989 in der 2-CD-Kompilation The Complete Blue Note Recordings of Freddie Redd bei ...
19. Jan. 2003 · Well, you may not have heard of Freddie Redd, but you will have definitely heard of sidemen Jackie McLean, Tina Brooks and Paul Chambers. The other good news is that Freddie Redd had a good ear for a nice bop melody, and most of the themes feature great harmonic interplay between the three horns.
Also on Blue Note is his work with McLean and Redd, both of whom played on his recordings. Perhaps Brooks’ most seminal moment as an improviser, though, was on Redd’s score for Jack Gelber’s Beat play The Connection, performed by the Living Theater, where the musicians played themselves as characters and drug addicts, which was close to ...
