Suchergebnisse
Suchergebnisse:
He joined the drummer Art Blakey's 17 Messengers, a big band that soon splintered; Mr. Bishop made his first recording, in 1949, with Mr. Blakey's quartet. He also played with the...
During his military service in 1947 Bishop was based near St Louis and met touring bebop musicians. Later life and career. Later in 1947, he returned to New York. That year (or 1949) he was part of drummer Art Blakey's band for 14 weeks and recorded with them.
Schon als Jüngling besuchte Walter Bishop Junior die legendären Sessions im Minton’s, der Geburtsstätte des Bebop und schon mit 20 wurde er Mitglied der Big Band des unvergessenen Meisterdrummers Art Blakey, der ihn übrigens auch zum Islam bekehrte. 1949 konnte er mit 22 schon auf Aufnahmen mit Art Blakey, Milt Jackson und Stan Getz ...
The double LP set consists of 2 shows recorded in Baltimore, Maryland, disc one recorded at The Madison Club on August 28, 1966 and The Famous Ballroom on February 26, 1967. Harlem-born Bishop began his performing and recording career as part of Art Blakey's Jazz Messengers on his debut Blue Note album in 1948. His bebop style continued on with ...
Walter Bishop, Jr. – piano Wendell Marshall – bass “Tippin” & “Pristine” feature a quintet of Donald Byrd , John Coltrane , Walter Bishop Jr. , Wendell Marshall , and Blakey.
He began his musical career after World War II, and played and recorded with Art Blakey, Charlie Parker, Oscar Pettiford, Kai Winding, Miles Davis, Jackie McLean, Curtis Fuller, Terry Gibbs, Clark Terry, Blue Mitchell, and Supersax. In the early 1960s he also led his own trio with Jimmy Garrison and G. T. Hogan. He continued performing into the ...
Mit Parker hatte er 1952 beim Konzert im Rockland Palace gespielt. 1953 spielte er auch im Sextett von Oscar Pettiford; außerdem arbeitete er mit Art Blakey, Tubby Hayes, Charlie Parker, Oscar Pettiford, Kai Winding, Jackie McLean, Curtis Fuller, Terry Gibbs, Sonny Stitt, Clark Terry, Blue Mitchell und später mit der Formation Supersax.
