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Joseph Jarman (September 14, 1937 – January 9, 2019) was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago.
Diese Diskografie ist eine Übersicht über die veröffentlichten Tonträger des Jazzmusikers Joseph Jarman. Sie umfasst seine Alben unter eigenem Namen, seine Mitwirkung bei kollaborativen Bandprojekten und seine Mitwirkungen als solist bei weiteren Produktionen. Jarmans Aufnahmen mit dem Art Ensemble of Chicago finden sich in Art Ensemble of ...
AlbumMusikerMusiklabelRecGittin’ to Know Y’AllLester Bowie & Baden-Baden Free Jazz ...1969Born Free: The 12. German Jazz FestivalVarious ArtistScout1970The Magic TriangleDon Pullen, Joseph Jarman, Famoudou Don ...1979Calypso’s SmileJoseph Jarman/Famoudou Don Moye Magic ...AECO1984/1991Joseph Jarman (* 14. September 1937 in Pine Bluff, Arkansas; † 9. Januar 2019) war ein US-amerikanischer Jazz saxophonist und Multiinstrumentalist, Schlagzeuger, Sänger, Komponist. Er gehörte zu den Gründern des AACM und des Art Ensemble of Chicago
11. Feb. 2020 · A feature by Brent Hayes Edwards Eclectic and captivating, Joseph Jarman’s 1977 Black Case is perhaps the most extraordinary of an efflorescence of literary publications by jazz musicians in the 1970s. Although it includes a selection of Jarman’s verse, the book is more capacious and variegated than a poetry collection.
- Brent Hayes Edwards
A near-facsimile of the original 1977 publication by the Art Ensemble of Chicago (which itself was built upon a coil-bound printing from 1974), the volume serves as a time capsule of a key period in the development of an emancipatory musical and cultural program, and an intimate portrait of the artist-as-revolutionary.
Out of the Mist is an album by saxophonist Joseph Jarman and violinist Leroy Jenkins, which was recorded in 1997 and released on the Ocean label. Jarman, Jenkins, and pianist Myra Melford would go on to form the collaborative trio Equal Interest.
Jarman expanded the circus to include art, flashing lights, film, dancers in some subsequent concerts in 1967-68. The spiritual, mysterious aspect of his concerts, including calls to seek the light, love one another, join in the spirit of the universe, was important to Jarman. Singing, poetry, even preaching appeared, audiences held hands and ...
