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Jimmie (Jimmy) Noone (* 23. April 1895 in Cut Off bei New Orleans; † 19. April 1944 in Los Angeles) war US-amerikanischer Klarinettist des traditionellen Jazz. Noone, dessen Ton als weich und romantisch beschrieben wird, galt neben Johnny Dodds und Sidney Bechet als einer der besten Klarinettisten der 1920er Jahre.
Jimmie Noone, Jr. (1938–1991), the oldest of Noone's three children, was a jazz clarinetist who made his professional debut in 1964. He made an album with John R. T. Davies in 1985 and began working with Jeannie and Jimmy Cheatham 's Sweet Baby Blues Band in 1984.
31. Juli 2021 · By the early 1940s, Noone was being featured in a conventional quartet that showcased his still viable playing. In 1943 Jimmie Noone moved to Los Angeles. He was enlisted for a four-song session by the Capitol Jazzmen, an all-star group that included Jack Teagarden and Billy May on trumpet.
19. Apr. 2024 · Jimmie Noone (born April 23, 1895, near New Orleans, Louisiana, U.S.—died April 19, 1944, Los Angeles, California) was an American jazz clarinetist noted for his lyricism and refinement of technique. He is one of the three principal clarinetists of early jazz, the other two being Johnny Dodds and Sidney Bechet.
- The Editors of Encyclopaedia Britannica
2. März 2021 · Jimmie Noone: The Apex Of Jazz Clarinet 1923-1944. 90% of his best work is on this CD, and it includes many classic performances as well as several rare appearances by good sidemen that are to be savoured.
Jimmie Noone: Chicago's Classic Jazz Clarinetist Jimmie Noone (1895-1944) has been an enigmatic figure in the early history of jazz. On the one hand his credentials are nearly unsurpassed: a clarinet student of the influential musician and teacher Lorenzo Tio, Jr., and of Sidney Bechet; a performer frequently selected for jazz work
23. Juni 2010 · Jimmie Noone is considered one of the best clarinetists of the Roaring Twenties. His style differs from the other two great New Orleans clarinet players, Johnny Dodds and Sidney Bechet because of his smoother, more romantic tone. Noone's style was a major influence on the Swing music of the Thirties and Forties.
