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It marked not only his turn to a modern sound and use of synthesizers (particularly on the opening track), but also, after the harmonies and backing vocals from Jennifer Warnes on the previous Recent Songs (1979), an even greater contribution from Warnes, who is credited equally to Cohen as vocalist on all of the tracks.
- June 1983
- John Lissauer
- December 11, 1984 (Canada), February 1985 (US, Europe)
When she wasn’t at the movies, Warnes was still hard at work on tour and in the studio with Leonard Cohen. His 1984 album Various Positions saw her credited as co-vocalist for the whole album, including his soon-to-be classic “Hallelujah.”
25. Apr. 2024 · An album filled with the sharp corners of both tragedy and beauty, Various Positions is Cohen smashing the walls of a breakthrough, one filled with eloquence and unity as Jennifer Warnes dances in the teasing embers of Cohen’s deepening voice.
1. Dez. 1984 · Leonard Cohen. POP · 1984. Preview. Jennifer Warnes is Cohen's vocal sidekick on this beautifully produced and typically ruminative album—initially rejected by his record label—that attempted to contemporise him with occasional Casio beats and a country tinge.
1. Feb. 2008 · Recorded with vocalist Jennifer Warnes (who later cut the album Famous Blue Raincoat, a collection of Leonard Cohen compositions), Various Positions is a stunning return to form -- Cohen's strongest work since New Skin for the Old Ceremony. Cryptic and spartan, the set continues in the eclectic vein of recent efforts, but with ...
23. Feb. 2024 · Beyond film, Warnes continued her collaboration with Leonard Cohen, appearing on his album Various Positions as a co-vocalist. This led to Warnes releasing her own album of Leonard Cohen covers, Famous Blue Raincoat, in 1987. A top-notch artist, Jennifer Warnes’ career has been marked by collaborations with many other amazing ...
At the time, the album brought back New Skin from the Old Ceremony producer John Lissauer to the Cohen fold, and together—with Jennifer Warnes billed as a co-vocalist on the tracks—the trio went about assembling a “modern” Leonard Cohen album that embraced the current sounds of synthesizers and stronger backbeats. Of course, none of ...
