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  2. en.wikipedia.org › wiki › Punch-Drunk_Love_(soundtrack)Punch-Drunk Love (soundtrack) - Wikipedia

    Punch-Drunk Love is the 2002 soundtrack album featuring music composed by Jon Brion for the film of the same name. The album includes the song "He Needs Me" from Robert Altman's film Popeye. The soundtrack received an enthusiastic review from classical music critic Greg Sandow.

  3. www.rollingstone.com › tv-movies › tv-movie-featuresJon Brion: How I Made the Soundtrack for 'Punch-Drunk Love' -...

    21. Nov. 2016 · Composer Jon Brion discusses how he made the soundtrack for 'Punch Drunk Love' and why collaborating with Paul Thomas Anderson is a dream come true.

    • David Fear

  4. www.youtube.com › watchJon Brion - Punch-Drunk Melody - YouTube

    4. Apr. 2011 · Punch-Drunk Love Original Motion Picture Soundtrack

    • 2 Min.
    • 188,7K
    • shogun_17

  5. www.youtube.com › watchJon Brion on the Rhythms of PUNCH-DRUNK LOVE - YouTube

    14. Nov. 2016 · In this excerpt from an interview featured on our release of PUNCH-DRUNK LOVE, composer Jon Brion talks about creating the rhythms of the score with director Paul Thomas Anderson.

    • 3 Min.
    • 52,8K
    • criterioncollection

  6. www.youtube.com › watchJon Brion on PUNCH-DRUNK LOVE and the Hollywood Musical

    14. Nov. 2016 · In this excerpt from an interview made exclusively for our edition of PUNCH-DRUNK LOVE, composer Jon Brion discusses the film as a Hollywood musical in which no one breaks into song.

    • 3 Min.
    • 59,5K
    • criterioncollection

  7. music.apple.com › us › albumPunch-Drunk Love (Original Motion Picture Soundtrack) - Apple...

    5. Nov. 2002 · Listen to Punch-Drunk Love (Original Motion Picture Soundtrack) by Jon Brion on Apple Music. 2002. 17 Songs. Duration: 44 minutes.

  8. www.criterion.com › current › postsJon Brion on Creating the Rhythms of Punch-Drunk Love

    14. Nov. 2016 · In the clip below, Brion recalls the unconventional methods he and Anderson used to create the rhythms of the score. Below, Brion talks about the film’s off-kilter interpretation of the Hollywood musical tradition.