Suchergebnisse
Suchergebnisse:
Leben und Wirken. Laboriel ist Sohn eines Gitarrenlehrers und verlor mit vier Jahren die Kuppe seines linken Zeigefingers. Er lernte Gitarre bei seinem Vater und spielte als Rock’n Roll-Gitarrist in Mexiko, studierte jedoch zwei Jahre lang Ingenieurwissenschaften, bevor er sich für die Musik entschied und ab 1972 am Berklee ...
Abraham Laboriel Jr. is an American session musician best known as the drummer and backing vocalist of Paul McCartney's touring band since 2001. He is the son of Mexican bass guitarist Abraham Laboriel, nephew of Mexican rock musician Johnny Laboriel, and brother of record producer, songwriter and film composer Mateo Laboriel.
As the first studio bass player to bring an international perspective to his grooves, Laboriel introduced an array of innovative techniques, including flamenco strums and slaps; spirited slides, trills, and whoops; and two-handed fingerboard forays that pushed the limits of bass coordination.
Abraham Laboriel López (born July 17, 1947) is a Mexican-American bassist who has played on over 4,000 recordings and soundtracks. Guitar Player magazine called him "the most widely used session bassist of our time". Laboriel is the father of drummer Abe Laboriel Jr. and of producer, songwriter, and film composer Mateo Laboriel.
In the first of a two-part series, E.E. Bradman takes a comprehensive look at the life of one of the most recorded and influential bassists of all time, Abraham Laboriel.
1. Juli 2008 · Abraham Laboriel Senior ’72 and his sons Abe Jr. ’93 and Mateo ’03 stand out among Berklee’s notable legacy families. Since his arrival in Los Angeles in 1976, Abraham has left an indelible mark on the music industry by adding his uniquely personal touch to more than 4,000 recordings during his four decades as one of the ...
Abraham Laboriel Sr. is one of the most sought after bass players living, today. As a Mexican-American bassist he has played on more than 4,000 recordings and soundtracks, to date. And he’s still going strong. Guitar Player magazine called him “the most widely used session bassist of our time.”
