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  1. Don Juan, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance -era Spain. [1]

  2. At the end of Don Juan, the strings play sul ponticello (on the bridge of the instrument) to make Don Juan’s death even creepier and more graphic. At 12:15 in Till Eulenspiegel, Honeck moves the D-clarinet’s weird “distorted” note up an octave, so that it screeches in agony over the entire orchestra while the prankster is sentenced to ...

  3. Till Eulenspiegel, Strauss’s mischievous prankster, is a character from fourteenth century traditional German folk legends. Concerned with orchestral detail Honeck in the notes explains that in the trial scene he has heightened the pitch of the D clarinet to make it more audible. He further reveals the importance of giving extra emphasis to the

  4. Richard Strauss Conducts Till Eulenspiegel; Don Juan; Le Bourgeois Gentilhomme by Richard Strauss. Find album reviews, track lists, credits, awards and more at

  5. Don Juan ist eine symphonische Dichtung (Tondichtung) für großes Orchester von Richard Strauss. Sie entstand im Jahre 1888 und war die zweite Tondichtung (Op. 20) des damals 24-jährigen Komponisten. Don Juan wurde am 11. November 1889 in Weimar uraufgeführt, als Strauss dort Hofkapellmeister war.

  6. Furtwangler also gave the world premiere of Vier letzte Lieder in 1950. But only three Strauss works were allowed a place in his programs from the earliest years through the last; these were also the only works by Strauss he recorded commercially—Don Juan, Tod und Verklarung, and Till Eulenspiegel.

  7. 3. Sept. 2021 · Let’s digitally tease a bit its splendid newly remastered content with these intense Strauss’ tone poems, from Death and Transfiguration to Don Juan and Till Eulenspiegel, one of his latest musical acts.