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The Fleet's In is a 1942 movie musical produced by Paramount Pictures, directed by Victor Schertzinger, and starring Dorothy Lamour and William Holden. Although sharing the title of the 1928 Paramount film starring Clara Bow and Jack Oakie, it was not a remake.
24. Dez. 2018 · Artsy Editors. Jan 01, 0000 00:00PM. The painter’s 1934 masterpiece “The Fleet’s In!” slyly brought gay themes to popular art. Not everyone was pleased—but it helped make Cadmus a star.
9. Jan. 2021 · 165. 8.5K views 3 years ago #IRememberYou #DorothyLamour. From the 1942 Paramount Pictures movie, 'The Fleet's In'. Featuring Dorothy Lamour, Jimmy Dorsey and his orchestra, Bob Eberly, and...
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The Fleet's In: Directed by Victor Schertzinger. With Dorothy Lamour, William Holden, Eddie Bracken, Betty Hutton. After a shy sailor is kissed by a female starlet as part of a publicity stunt, he becomes known as a stud; his friends then bet that he'll be able to defrost an icy nightclub singer.
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- Musical, Romance
- Victor Schertzinger
- 1942-01-24
- A Queer Presence and Coded encounters
- Documenting Queer Life in Early 20Th-Century New York
- How Cadmus Employed Printmaking to Subvert Censorship
- Cadmus’S Legacy and The Importance of Displaying Queer Art
- Notes
How did one image cause so much contention? The Navy publicly decried Cadmus’s portrayal of drunk enlisted men soliciting prostitutes on their shore leave, but one figure may have especially riled the admiral. Paul Cadmus (American, 1904–1999). The Fleet’s In! (detail), 1934. Tempera on canvas, 37 × 67 in. (94 × 170.2 cm). Navy Art Collection, Nava...
Cadmus’s complex image reflects an understanding of early twentieth-century queer history. It was a known fact that from World War I onward servicemen participated in homosexual encounters around New York City. The Brooklyn Navy Yard, Times Square, and various waterfronts such as Riverside Park and the Soldiers’ and Sailors’ Monument(the likely set...
“I am going to do the picture as an etching,” Cadmus declared in one of the many indignant responses he gave to the media. “They can tear up the canvas, but they will have a sweet time eating copper.” Later in 1934 the artist produced fifty prints of The Fleet’s In!. While the artist made other prints based on his finished paintings, such as Y.M.C....
Although Cadmus was the subject of much art historical literature in the 1930s, the rise of Abstract Expressionism and the artist’s known homosexuality contributed to a steady decline in scholarship; Cadmus was part of a generation of American figurative artists who fell into relative obscurity. It wasn’t until the 1960s and ’70s that Cadmus receiv...
David Leddick, Intimate Companions: A Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and Their Circle (New York: St. Martin’s Press, 2000), 48. return Philip Eliasoph, Yesterday and Today (Miami: Miami University Art Museum, 1981), 117. return Helen Langa, Radical Art: Printmaking and the Left in 1930s New York (Los Angeles: Unive...
Paul Cadmus (December 17, 1904 – December 12, 1999) was an American artist widely known for his egg tempera paintings of gritty [1] social interactions in urban settings. He also produced many highly finished drawings of single nude male figures. His paintings combine elements of eroticism and social critique in a style often called magic realism.
Overview. Signatures, Inscriptions, and Markings. Provenance. Exhibition History. References. Title: The Fleet's In! Artist: Paul Cadmus (American, New York 1904–1999 Weston, Connecticut) Date: 1934. Medium: Etching. Dimensions: plate: 7 1/2 x 14 in. (19.1 x 35.6 cm) sheet: 11 1/2 x 15 3/4 in. (29.2 x 40 cm) Classification: Prints.
