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  1. Record Deals OutLoud : Bradford, Chris: Amazon.de: Bücher. Bücher. ›. Film, Kunst & Kultur. ›. Musik. Neu: 8,80€ Weitere Informationen. Lieferung für 4,50 € . Details. Lieferadresse wählen. Nur noch 5 auf Lager. Menge: Sichere Transaktion. musik-deal. Retournierbar innerhalb von 30 Tagen nach Erhalt. Details. Zahlung. Sichere Transaktion.

  2. [(Record Deals Out Loud * * )] [Author: Chris Bradford] [Sep-2006] | | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon.

  3. 4. Sept. 2006 · Record Deals Out Loud [Chris Bradford] on Amazon.com. *FREE* shipping on qualifying offers. Record Deals Out Loud . Skip to main content.us. Delivering to Lebanon 66952 Update location Books. Select the department you want to search in. S ...

  4. Record Deals Out Loud by Bradford, Chris and a great selection of related books, art and collectibles available now at AbeBooks.co.uk.

    • Paperback
    • Distribution Deals
    • Traditional Record Deals
    • 360 Deals
    • Indie Record Deals
    • Production Deals
    • Label Deals
    • Joint Ventures
    • Upstreaming Deals
    • Label Services Deals

    Success in the record business has always required an effective distribution partner. It’s one thing to make a record but another to get it to the consumer. Distribution bridges the two, as warehousing, trucking, and logistics are all necessary to get records to market. Distribution deals allow the owner of the recordings to retain their copyrights...

    When someone mentions a record deal, they are likely talking about a traditional major-label one. In this scenario, the label has distribution, the cash to finance the recording, and the ability to mount a massive marketing campaign. All that power means the label can also dictate terms (at least until the artist has achieved enough success to forc...

    Record companies faced significant losses as the marketplace transitioned from physical to digital in the mid-aughts as consumers stopped buying records. To make matters worse, digital downloads never made up for lost physical sales. Cash-strapped labels, desperate to tap into new revenue streams, began looking at their artists with hungry eyes. Th...

    The name “indie” was coined in the 1950s to describe a new kind of record label that operated “independently” of the majors. Company structure, financing, A&R goals, and sales projections reflect differences; contractual terms do as well. Without the size and money of a major, an indie will typically provide a lower advance—if any upfront money. In...

    What feels like a record deal but isn’t? Independent production agreements, or simply “production deals.” Usually, between production entities (producers, so-called management companies, or music business bigwigs) and performing artists, these deals are not between artists and record companies. This confuses artists—for example, Blueface. Deals lik...

    Should a production entity see some success with an individual artist, the record company may offer them a label deal. Label deals are multiple production deals lumped together, with the record company paying an overhead fee to the production entity on top of whatever artist royalty may be due. This is great if you’re the label: the record company ...

    Sometimes the production entity can negotiate a share of the profits instead of a royalty. In the record business, this is known as a “joint venture.” Such a situation can be very beneficial for the production entity if the JV makes money, as splitting profits on a 50/50 basis can pay more than an artist's royalty. In a joint venture, the deal spec...

    What does it mean to be “upstreamed”? In this situation, an indie label with major distribution allows the major to take over if one of the indie label’s artists blows up. This is a distribution deal with a production deal buried inside: the contract gives the indie distribution. However, the production deal language means their artist is automatic...

    Relatively new, these deals are marketed directly to individual artists who might not be ready for a record deal but are still generating some revenue. Essentially distribution deals with extra services built-in, they include distribution, but the company may also provide digital marketing, radio, social media, publicity, and promotional services. ...

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    • Paperback
    • Chris Bradford
  6. Using a cool and practical format with cutting edge illustrations, each page answers the important questions you have about recording contracts. Endorsed by Yamaha and associated with the Academy of Contemporary Music, the guide also includes a foreword by Nick Raphael of Sony Records.