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  1. Horace Parlan (* 19. Januar 1931 in Pittsburgh, Pennsylvania; † 23. Februar 2017 in Korsør, Sjælland) war ein US-amerikanisch-dänischer Jazzpianist, der mit dem Ben Webster Prize ausgezeichnet wurde.

  2. LP, Album, Stereo. View credits, reviews, tracks and shop for the 1984 Vinyl release of "Eclipse" on Discogs.

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  3. Diese Diskografie ist eine Übersicht über die veröffentlichten Tonträger des Pianisten Horace Parlan. Sie umfasst seine Alben unter eigenem Namen (Abschnitt 1), seine Mitwirkung in kollaborativen Duos (Abschnitt 2), Kompilationen (Abschnitt 3) und seine Mitwirkungen als begleitender Musiker (Abschnitt 4). Nach Angaben des Diskografen Tom ...

    Album
    Künstler
    Rec
    Musiklabel
    Love & Peace (The Music of Horace ...
    Jesper Lundgaard
    2013
    Storyville
    Gentle Men Blue
    1998
    Asteur
    1997
    Laser
    Peer Almqvist Trio with Horace Parlan
    1997
    Storyville
  4. Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings Mingus Ah Um and Blues & Roots.

    Recording Date
    Title
    Label
    Year Released
    1960-02
    1960
    1960-04
    Blue Note
    1960
    1960-07
    Blue Note
    1960
    1960-12
    Blue Note
    1961
  5. Profil: Horace Parlan (born January 19, 1931, Pittsburgh, Pennsylvania, USA - died February 24, 2017, Korsør, Denmark) was an American-born Danish modern jazz pianist, with a strong left hand. Parlan was discovered by Charles Mingus, and played and recorded with him from 1957 to 1959.

  6. On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.

  7. Horace Parlan overcame physical disability and thrived as a pianist despite it. His right hand was partially disabled by polio in his childhood, but Parlan made frenetic, highly rhythmic right hand phrases part of his characteristic style, contrasting them with striking left-hand chords.