Suchergebnisse
Suchergebnisse:
Cootie Williams ist einer der bedeutendsten und kreativsten Jazztrompeter der Swing-Ära. Sein Spiel stand (wenn er ohne Dämpfer spielte) unter dem Einfluss von Louis Armstrong, sein Markenzeichen aber wurde sein Growl -Spiel mit dem Plunger-Dämpfer, mit dem er den von Bubber Miley begründeten Stil perfektionierte und über Jahrzehnte ...
Cootie Williams (born July 10, 1911?, Mobile, Alabama, U.S.—died September 15, 1985, New York City, New York) was an American trumpeter whose mastery of mutes and expressive effects made him one of the most distinctive jazz musicians. Sources differ as to Williams’s birth date; in addition to July 10, 1911, a date of July 24, 1910, is also ...
- The Editors of Encyclopaedia Britannica
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography [ edit ] Born in Mobile , Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young . [2]
25. März 2024 · Williams’ tour de force has to be 1940s “Concerto For Cootie” where he alternates styles and tones as if he were having a conversation with himself. At this point, Williams famously departed the Duke to join with Benny Goodman’s Orchestra and hit the ground running with hard swinging big band pieces like “Superman” and “Benny Rides Again” while a septet with Goodman, Count ...
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard , and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". [1]
- Jazz
Released. 1992 — France. CD —. Compilation. Explore the tracklist, credits, statistics, and more for 1946-1949 by Cootie Williams And His Orchestra. Compare versions and buy on Discogs.
27. Nov. 2022 · 1935-36 brought such new Ellington compositions as “ In A Sentimental Mood ,” “ Echoes Of Harlem ” (a feature for Cootie Williams), and the brooding four-part “ Reminiscing In Tempo ( Part 2, Part 3, Part 4 )” which was written in memory of his late mother.
