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We Were the Mulvaneys is a novel written by Joyce Carol Oates, and was published in 1996. We Were the Mulvaneys was featured in Oprah's Book Club in January 2001. The novel chronicles the Mulvaneys, a seemingly perfect family living in the small, rural town of Mt. Ephraim, New York, during the latter part of the 20th century.
8. Apr. 2002 · Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves. Director. Peter Werner. Writers. Joyce Carol Oates. Joyce Eliason. Peter Silverman. Stars. Beau Bridges. Blythe Danner. Tammy Blanchard. See production info at IMDbPro. RENT/BUY
- (606)
- Drama
- Peter Werner
- 2002-04-08
1. Sept. 1996 · We Were the Mulvaneys. Joyce Carol Oates. 3.75. 101,858ratings3,703reviews. Kindle $12.99. Rate this book. The Mulvaneys of High Point Farm in Mt. Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise.
We Were the Mulvaneys is at once a rich textured novel of family life and love (including the abiding love of animals) and a profound discourse on themes of free will, evolution, gender, class, spirituality, forgiveness, and the nature and purpose of guilt. A master of her craft, Oates weaves a seamless web in which ideas blend perfectly with plot.
- Paperback
24. Jan. 2001 · A powerful and heartbreaking story of a family torn apart by a rape and its aftermath. The novel explores the themes of free will, evolution, gender, class, spirituality, and the American dream through the eyes of the Mulvaneys and their friends.
8 April 2002. ( 2002-04-08) Language. English. We Were the Mulvaneys is a 2002 American television film directed by Peter Werner, written by Joyce Eliason, and starring Beau Bridges, Blythe Danner and Tammy Blanchard. It is based on the book of the same name by Joyce Carol Oates.
A review of Joyce Carol Oates's novel We Were the Mulvaneys, a saga of a family's unhappiness and tragedy in upstate New York. The review praises Oates's skillful dramatization and her grasp of middle-class culture, and compares her to Dreiser.
