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  2. en.wikipedia.org › wiki › IntroducingIntroducing...Rubén González - Wikipedia

    Introducing... Rubén González is the second studio album by Cuban pianist Rubén González. It was recorded at EGREM studios in Havana, Cuba, during April 1996, as the last of the sessions that also yielded the albums A Toda Cuba le Gusta and Buena Vista Social Club.

  3. www.allmusic.com › album › let-it-play-mw0003771015Let It Play - Rubén González | Album | AllMusic

    Let It Play by Rubén González. Find album reviews, track lists, credits, awards and more at AllMusic.

  4. www.youtube.com › watchRubén González - Introducing (Full Album) - YouTube

    12. Juli 2017 · Rubén González - Introducing (Full Album) - YouTube. World Circuit Records. 648K subscribers. Subscribed. 19K. 1.5M views 6 years ago. Click here to subscribe to World Circuit -...

    • 56 Min.
    • 1,5M
    • World Circuit Records

  5. www1.wdr.de › mediathek › audioPiano-Legende im Buena Vista Social Club: Rubén González

    25. Mai 2024 · Der am 26. Mai 1919 geborene Rubén González ist mit seinem Klavierspiel der geniale Taktgeber des Buena Vista Social Club. Dabei war Pianist nicht sein erster Berufswunsch. Zum...

  6. latinjazznet.com › reviews › albumsRubén González: Introducing Rubén González - Latin Jazz Network

    Born on May 26, 1919 in Encrucijada, Cuba, jazz pianist Rubén González played with Enrique Jorrín’s band for many years before retiring in the 1980s. González then returned to music as a featured member of the Buena Vista Social Club, performing in a documentary and album of the same name.

  7. de.wikipedia.org › wiki › Rubén_González_(Pianist)Rubén González (Pianist) – Wikipedia

    Rubén González Fontanills war ein kubanischer Pianist. González gilt als bedeutendster Pianist des kubanischen Musikstils Son und als Legende der kubanischen Musik.

  8. en.wikipedia.org › wiki › Rubén_González_(pianist)Rubén González (pianist) - Wikipedia

    Rubén González Fontanills (26 May 1919 – 8 December 2003) was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have "forged the style of modern Cuban piano playing in the 1940s".