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  1. The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical approach to literary criticism.

    • Harold Bloom
    • 1973
  2. Anxiety of Influence is a concept in literary criticism articulated by Harold Bloom in 1973, in his book, The Anxiety of Influence: A Theory of Poetry. It refers to the psychological struggle of aspiring authors to overcome the anxiety posed by the influence of their literary antecedents.

    • Harold Bloom
    • 1973
  3. Einflussangst (englisch anxiety of influence) ist ein vom amerikanischen Literaturtheoretiker Harold Bloom eingeführter Begriff, der eine Innovation der Quellen- und Einflussforschung darstellte und eine spezielle Auffassung von Literatur voraussetzt.

  4. 24. März 2021 · The anxiety of influence; a theory of poetry : Bloom, Harold : Free Download, Borrow, and Streaming : Internet Archive. by. Bloom, Harold. Publication date. 1973. Topics. Poetry, Poétique, Poetik, Dichtkunst. Publisher. New York, Oxford University Press. Collection. claremont_school_of_theology; internetarchivebooks; printdisabled; inlibrary.

  5. 10. Apr. 1997 · Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his ...

    • (98)
    • Harold Bloom
    • $19.49
    • Oxford University Press
  6. Bloom argues that all literary texts are a response to those that precede them, and that poets experience an anxiety of influence in their creative process. He explores the Romantic poets and the concept of poetic misprision, and offers a new introduction to the second edition of his book.

  7. 1. Jan. 2001 · Harold Bloom's The Anxiety of Influence has cast its long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between precursors and the individual artist.