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  1. Charles Walters (* 17. November 1911 in Brooklyn, New York; † 13. August 1982 in Malibu, Kalifornien) war ein US-amerikanischer Filmregisseur und Choreograf. Sein Spezialgebiet waren Tanzfilme und Musicals, die er in den 1940er- und 1950er-Jahren für MGM inszenierte.

  2. Charles Powell Walters (November 17, 1911 – August 13, 1982) was an American Hollywood director and choreographer most noted for his work in MGM musicals and comedies from the 1940s to the 1960s.

  3. 8. Mai 2024 · Charles Walters (born November 17, 1911, Brooklyn, New York, U.S.—died August 13, 1982, Malibu, California) was an American dancer, choreographer, and film director who was best known for his work on MGM musicals. His notable directorial credits included Easter Parade (1948) and The Unsinkable Molly Brown (1964).

    • Michael Barson
  4. 11. März 2015 · Learn about the life and career of Charles Walters, a versatile and influential dance director and director at MGM who worked with stars like Judy Garland, Fred Astaire, and Debbie Reynolds. Read an interview with the author of the first biography on Walters, Brent Phillips, who shares his passion and insights on the golden age of Hollywood musicals.

  5. 31. Jan. 2015 · There is a wonderful photo in the book of Charles Walters and Tony Martin filming a scene for Easy to Love (1953). Mirroring each other, Walters and Martin simultaneously do an open armed gesture as Martin sings and performs for the camera. This style of directing was definitely influenced by Walters’ background as a dancer. He was also a master of pacing and clever camera shots.

  6. 2. Dez. 2014 · From the trolley scene in Meet Me in St. Louis to Fred Astaire and Ginger Rogers's last dance on the silver screen to Judy Garland's tuxedo-clad performance of "Get Happy", Charles Walters...

  7. He was born to dance. The expression is a cliché, uttered virtually every time an infant intuitively bounces to a musical beat. Yet in the case of Charles Walters, the overused idiom is remarkably accurate. He could not help himself; dance was within. This predisposition, he’d relate, started “even before my birth. ….