Suchergebnisse
Suchergebnisse:
Get Up with It Studioalbum von Miles Davis; Veröffent-lichung(en) 1974. Label(s) Columbia Records: Format(e) 2 LP, 2 CD Genre(s) Jazz, Fusion. Titel (Anzahl) 8 Länge. 123:52 Besetzung Trompete, Orgel: Miles Davis; Clavinet: Herbie Hancock (B2) Schlagzeug: Al Foster (A, B1, B3-D3), Bernard Purdie (D1), Billy Cobham (B2) E-Bass ...
Get Up with It is a 1974 compilation album by American jazz musician Miles Davis. Released by Columbia Records on November 22, 1974, it collected previously unreleased material that Davis had recorded between 1970 and 1974, some of which dated from the sessions for for his studio albums Jack Johnson (1971) and On the Corner (1972).
Al could set it up for everybody else to play off and just keep the groove going forever." Foster began composing in the 1970s, and has toured with his own band, including musicians such as bassist Doug Weiss , saxophonist Dayna Stephens , and pianist Adam Birnbaum.
Al Foster, Bill Cobham and Bernard Purdie hit the skins to rude effect. With rhythm kings like those dudes at your disposal, you can relax and stretch out knowing something's gonna happen. The one single defining factor effecting this collection is Davis' adoption of organ and piano textures, played by the man himself, in addition to his ...
Cosey’s effects-driven, noise guitar adds an intriguing, freewheeling edge to the tracks from 1974—along with rhythmic ideas from guitarist Reggie Lucas, bassist Michael Henderson, drummer Al Foster, percussionist Mtume. There’s the opening, full LP-side jam “He Loved Him Madly” (a tribute to Duke Ellington who had recently passed ...
1. Feb. 2024 · Al Foster played with Miles Davis for several years in the '70s, appearing on Get Up With It, On The Corner, Big Fun, Dark Magus, Agharta, and reuniting with him in the '80s for The Man With The Horn, We Want Miles, Star People, Decoy and You're Under Arrest. And the drummer was one of the few people to stay in contact with him ...
Get Up With It was Miles' last studio album before he took a long break, and shows him at the absolute apex of his mid-70s creativity. All the elements he had been experimenting with are here, crazy psychedelic guitars, Stockhausen influenced attempts to stretch time and space, futuristic polyrhythmic African grooves and bizarre, almost satirical de-constructionist takes on common blues, funk ...
