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  1. 7. März 2011 · 19. 6.1K views 12 years ago. Narrated by Robert De Niro, Hans Hofmann: Artist/Teacher, Teacher Artist is both an explanation of modern art and the story of a man who influenced...

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  2. 10. Aug. 2003 · Narrated by Robert De Niro, Hans Hofmann: Artist/Teacher Teacher Artist is both an explanation of modern art and the story of a man who influenced thousands, some of whom are today's leading artists. Stars. Betty Bishop. Robert De Niro. Ray Eames. See production info at IMDbPro. Add to Watchlist. 1 Critic review. Photos. Add photo. Top cast.

    • (13)
    • 2003-08-10
    • Documentary
    • 56
  3. Artist/Teacher, Teacher/Artist includes rare archival footage of Hofmann teaching that reveals his passion for color, his “push/pull” theory of creating the illusion of space, and his insistence on using nature as the basis for all- even abstract- art. Through interviews with Frank Stella, Red Grooms, and other noted artists, writers ...

    • Introduction
    • On Form and Aesthetics
    • On The Magic of Painting
    • "Push and Pull"
    • On The Fundamental Laws of Painting
    • On Marx's Approach to Art
    • On Women Artists
    • Writing Style

    Hofmann's ideas were built up from his extensive reading in German philosophy, and this established his lifelong habit of thinking in dualities - in thesis, antithesis, and synthesis. He was a particular adherent of the ideas made popular by Adolph von Hildebrand in The Problem of Form in the Visual Arts(1893). He was unwavering in his belief that ...

    When Hofmann considered the form of a work of art, he always bore in mind the space on which - and in which - it resided. "Form must be balanced by means of space," Hofmann wrote in 1932, "...form exists because of space and space exists because of form." In any work of art, he looked for a visual unity and form that stimulated interest in the view...

    The process of creating a three-dimensional image on a two-dimensional surface was, in Hofmann's eyes, a work of magic; the bare minimum needed to achieve this effect was to draw two lines - one short, one long. Through this process, a sense of three dimensions was created. "Art is magic," he wrote. "But how is it magic? In its metaphysical develop...

    Hofmann believed that modern artists should evoke pictorial space not in the traditional manner by modeling form with the use of atmospheric perspective, but by using contrasts of color, shape, and surface. Only in this way could an artist stay true to the fundamental fact of the canvas, its two-dimensionality. These tensions between form and color...

    "Painting as a whole," wrote Hofmann in 1932, "possesses fundamentals. The highest law of painting is: The entity of the picture plane must be preserved. This entity is its essential two-dimensionality...this law connotes at once: the picture plane must achieve a three-dimensional effect (as distinguished from illusion) by means of the creative pro...

    Hofmann formed several rules for painting, all of which were grounded in the Marxist belief that an artist is shaped and conditioned by historical circumstances and can only achieve as much as those circumstances will allow. As Marx argued, "Men make their own history, but they do not make it just as they please..." However, above all else, Hofmann...

    Despite working with and teaching many female artists throughout his life, including Lee Krasner and Helen Frankenthaler, Hofmann shared the prejudices of most members of the macho New York School. He doubted that women were the equals of men in achieving the same level of spirituality in art or in mastering his all-important method of "push and pu...

    Hofmann was both a romantic and an academic. He stressed the strictest of standards for creating art, yet believed that if an artist followed those standards with enough talent and determination, he could create an infinite number of possibilities. Heavily influenced by the philosophy and art theory of Johann Wolfgang von Goethe(who also dabbled in...

    • German-American
    • March 21, 1880
    • Weissenberg, Bavaria
    • February 17, 1966
  4. 16. Juni 2020 · Hans Hofmann routinely receives more credit as a teacher than as an artist in studies of his era, his most enduring work came only at the end of his long career, and his paintings regularly...

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  5. en.wikipedia.org › wiki › Hans_HofmannHans Hofmann - Wikipedia

    Hans Hofmann (March 21, 1880 – February 17, 1966) was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. [1] .

  6. Hans Hofmann: Artist/Teacher, Teacher/Artist is a joyous and colorful one-hour journey into the life of an amazing, but too often neglected, first-generation Abstract Expressionist...