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  1. en.wikipedia.org › wiki › Ardel_WrayArdel Wray - Wikipedia

    Ardel Wray (née Mockbee; October 28, 1907 – October 14, 1983) was an American screenwriter and story editor, best known for her work on Val Lewton's classic horror films in the 1940s. Her screenplay credits from that era include I Walked with a Zombie , The Leopard Man and Isle of the Dead .

  2. www.imdb.com › name › nm0942027Ardel Wray - IMDb

    Ardel Wray was a screenwriter and story editor, best known for her work on Val Lewton's classic horror films in the 1940s, including I Walked with a Zombie, The Leopard Man, and Isle of the Dead. In a late second career in television, she worked as a story editor and writer at Warner Bros. on 77 Sunset Strip, The Roaring 20s, and...

    • Writer, Additional Crew
    • October 28, 1907
    • Ardel Wray
    • October 14, 1983
  3. 26. Dez. 2018 · A profile of the life and career of Ardel Wray, author of acclaimed screenplays for Val Lewton 1940s B-movie masterpieces like I Walked with a Zombie and The Leopard Man. Pop reviews and in-depth analyses of current and classic films from around the world.

  4. www.wikiwand.com › en › Ardel_WrayArdel Wray - Wikiwand

    Ardel Wray was an American screenwriter and story editor, best known for her work on Val Lewton's classic horror films in the 1940s. Her screenplay credits from that era include I Walked with a Zombie, The Leopard Man and Isle of the Dead.

  5. 19. Okt. 2021 · Directed by Jacques Tourneur and adapted by Ardel Wray and Edward Dein from the novel Black Alibi by the great pulp writer Cornell Woolrich, the sequence in question features a young girl in a New Mexico town making her way home at night after running an errand for her mother to buy a bag of flour. On the way home, what appears to be ...

  6. Ardel Wray ist bekannt für Filme wie Ich folgte einem Zombie, Das Ritual - Im Bann des Bösen, The Leopard Man.

  7. The narrative moves to New Mexico and the script by Ardel Wray highlights how human evil hides behind an animal mask. Woolrich focuses on the shadowing contrast between dark and light, on shapes and repeating motifs, to give an impression of almost surreal images. Wray's script borrows much from the novel to visualise the action of the film.