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Things Are What They Used to Be is the third studio album by Zoot Woman. It was released through Zoot Woman Records in 2009.
- Synth-Pop [1]
4. Nov. 2009 · The reason there’s a real delight in listening to Zoot Woman, rather than just rifling through the New Pop archives, is that there’s rather more to them than a cursory glance might suggest. Dance music has moved on a good deal in the last quarter-century, and Price and pals are shrewd enough to acknowledge this throughout. Wisely ...
Als Zoot Woman-Fan beobachtete man dieses muntere Treiben stets zwiespältig, selbst als seine Kompagnons, die Blake-Brüder, mit dem ansehnlichen Price-Ersatz Jasmin O'Meara an seiner Stelle...
5. Mai 2014 · Zoot Woman "'Things Are What They Used To Be" LPCitizen Records, 2019.CD & Digital : http://www.citizen-records.com/artist/zoot-woman/
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- CITIZENRECORDS
Zoot Woman's main genres are electronica, alternative rock and synthpop. Heavy use of both digital and analogue synthesizers as well as drum machines is evident on each album. They are known to blend the use of acoustic and electronic instruments to create their sound.
Am 16. Juni 2017 erschien das mittlerweile fünfte Album „Absence“ wieder auf Snowhite Records, das schon das 2009er Album „Things are what they used to be“ veröffentlicht hatte. „Absence“ enthält eine Kollaboration mit Kylie Minogue. Stuart Price hatte ihr Album „ Aphrodite “ produziert.
10. Sept. 2009 · Predictable in many ways but still displaying a strong sense of self, Zoot Woman's Things Are What They Used to Be is a welcome return from everyone's favorite electro-pop underachievers and a surprising testament to Stuart Price's long-lasting virtuosity.
