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Background. Cooke and his musicians—pianist Ray Johnson, organist Billy Preston (who was 16 at the time of recording), lead guitarist Barney Kessel, alternating drummers Hal Blaine and Ed Hall, bassist Cliff Hils and Clif White, and René Hall on rhythm guitar—cut Night Beat in three days during late-night recording sessions at ...
Night Beat wurde in drei Nächten im Februar 1963 in den Studios von RCA (Los Angeles, Kalifornien, USA) eingespielt. Folgende Musiker waren an den Aufnahmen beteiligt: Sam Cooke ; Barney Kessel ; René Hall (Gitarre) Clifton White (Gitarre) Cliff Hils ; Hal Blaine ; Edward Hall (Schlagzeug) Ray Johnson ; Billy Preston
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of
1963 found Kessel recording with Sam Cooke on the album Night Beat and resultant hit “Another Saturday Night” as well as Dick Dale’s King of the Surf Guitar. He also become a central part of Phil Spector’s famed “Wall of Sound.” Among many others, Kessel can be heard on such classic as the Righteous Brothers “You’ve Lost That ...
He also allows some solo space, from Barney Kessel’s simple, unadorned solo on “Get Yourself Another Fool” to Billy Preston’s playful organ vocalizing on “Little Red Rooster.” If Sam Cooke had lived longer, there would’ve been several more sessions like this, but Night Beat is an even richer treasure for its rarity.
Shake Rattle and Roll Lyrics. About “Night Beat”. “Night Beat” Q&A. What is the most popular song on Night Beat by Sam Cooke? When did Sam Cooke release Night Beat?
Barney Kessel: Interview 1. Barney Kessel (1923–2004) Kessel, a virtuoso guitarist born in Muskogee, Oklahoma, enjoyed a long career which established him as one of the foremost jazz improvisers on his instrument, as well as a highly successful studio guitarist in radio, TV and film. Until the late 1960s his studio work supported his jazz career.
