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Personnel. Arlo Guthrie – vocals, guitar, banjo, piano, harmonica. Doug Dillard – banjo. Clarence White – guitar. Kevin Burke – fiddle. Ry Cooder – guitar. Buddy Collette – clarinet. Ed Shaughnessy – drums, tabla. Chuck Rainey – bass. Stan Free – piano, harpsichord. Jesse Ed Davis – guitar. Gene Parsons – drums. Clydie King – background vocals.
Jesse Ed Davis. Jesse Edwin Davis III (September 21, 1944 – June 22, 1988) was an American guitarist. [1] He was well regarded as a session artist and solo performer, was a member of Taj Mahal 's backing band and played with musicians such as Eric Clapton, John Lennon, and George Harrison. [2] In 2018, he was posthumously inducted into the ...
28. Aug. 2016 · Last of the Brooklyn Cowboys is a 1973 album by American singer-songwriter Arlo Guthrie. Tracks. 1 Farrell O’Gara (Traditional) 2:50. 2 Gypsy Davy (Woody Guthrie) 3:44. 3 This Troubled Mind Of Mine (Billy Hughes, Johnny Tyler) 2:28. 4 Week On The Rag (Arlo Guthrie) 2:23. 5 Miss The Mississippi And You (Bill Halley) 2:56.
22. Sept. 2017 · He next played on Arlo Guthrie’s The Last of the Brooklyn Cowboys, which also featured Ry Cooder and Clarence White. He also released his third and final solo album, the self-produced Keep Me Comin’, which was devoid of guest stars.
Last of the Brooklyn Cowboys, an Album by Arlo Guthrie. Released in April 1973 on Reprise (catalog no. MS 2142; Vinyl LP). Genres: Singer-Songwriter, Folk Rock, Country, Contemporary Folk. Rated #969 in the best albums of 1973.
- (105)
- April 1973
- Arlo Guthrie
- 3.38 / 5.00.5from 105 ratings
10. Cowboy Song. 11. Sailor's Bonnett. 12. Cooper's Lament. 13. Ramblin' Round. - People who contributed to this album: Kevin Burke, Jim Keltner, Ry Cooder, Bob Glaub, Jesse Ed Davis, Jim Gordon, George Bohanon, Dick Hyde, Gene Coe, Nick DeCaro, Jerry Wiggins, Doyle Singer, Don Rich, Buddy Alan, Bob Morris,
Asked about the music theory behind his playing, Davis responded, “I just play the notes that sound good. If you have to play a certain scale, then that’s cheating. You don’t even know what something’s going to sound like until you hear the note yourself. I just play what I like to hear—that’s all.”.
