Suchergebnisse
Suchergebnisse:
Alto Saxophone – Phil Woods, Richie Cole; Bass – Walter Booker; Design – Ron Warwell; Drums – Jimmy Cobb; Engineer – Dick Jenkins; Liner Notes – Herb Wong, Leonard Feather; Mastered By – Joe Brescio; Mixed By – Malcolm Addey; Photography By – Bob Cataliotti; Piano – John Hicks; Producer – Mitch Farber; Tenor Saxophone ...
- 78
Credits. Alto Saxophone – Phil Woods, Richie Cole. Bass – Walter Booker. Cover, Design [Cover design by] – Ron Warwell. Drums – Jimmy Cobb. Engineer – Dick Jenkins. Engineer [Mastering Engineer] – Joe Brescio. Engineer [Recording Assistant] – Mark Barnett (6) Mixed By – Malcolm Addey.
- (26)
- US
- 65
- Vinyl, LP, Album
In den 1980er Jahren spielte er mit Nat Adderley, Nick Brignola, Arnett Cobb, Richie Cole, John Hicks, Billy Higgins, Clifford Jordan, Pharoah Sanders, Joe Thomas und Phil Woods. Booker war mit der Pianistin Bertha Hope verheiratet und Mitglied ihres Trios, in dem auch Jimmy Cobb mitspielte.
Alto Saxophone – Phil Woods, Richie Cole; Bass – Walter Booker; Cover, Design – Ron Warwell; Drums – Jimmy Cobb; Engineer – Dick Jenkins; Lacquer Cut By [Runout Etching ♀] – Meredith Brooks (2) Mastered By, Engineer – Joe Brescio; Mixed By – Malcolm Addey; Photography By – Bob Cataliotti; Piano – John Hicks; Sleeve Notes ...
- (1)
- Australia
- 3
- Vinyl, LP, Album, Stereo
1. Juni 1998 · Woods' lighter, bouncier tone is quite distinct from Cole's more forceful and direct sound; of course, the fact that they come to you through the right and left channels helps maintain an automatic, distinctive appreciation. They're backed by pianist John Hicks, bassist Walter Booker and drummer Jimmy Cobb. Eddie "Lockjaw" Davis ...
28. Apr. 1998 · Discover Richie & Phil & Richie by Richie Cole released in 1998. Find album reviews, track lists, credits, awards and more at AllMusic.
28. Apr. 1998 · Pianist John Hicks, bassist Walter Booker and drummer Jimmy Cobb do more than their share to match intensity -- they encourage it. A bluesy swing on "Eddie's Mood/Side By Side" has the melody repeated twice; piano solos also re-enter halfway through the nearly 13 minutes. Cole is featured without
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