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Ray Brown with the All-Star Big Band is a 1962 album by the jazz double bassist Ray Brown accompanied by a big band featuring the alto saxophonist Cannonball Adderley. Track listing "Work Song" (Nat Adderley) – 5:17 "It Happened in Monterey" (Billy Rose, Mabel Wayne) – 3:06 "My One and Only Love" (Robert Mellin, Guy Wood) – 3:56
Notes. Tracks 1-1 to 1-9 original lp issued : Ray Brown with the All-Star Big Band featuring Cannonball Adderley - Verve V6-8444. Tracks 1-10 to 1-13 are previously unissued. Recorded at the Webster Hall, New York City, Jan 22 and 23, 1962. Tracks 1-13 to 2-4 original lp issued : Ray Brown - Milt Jackson - Verve V6-8615 .
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27. Feb. 2024 · Check out our pick of the best Cannonball Adderley albums, or see where he is on our round up of most famous saxophone players. Something of an overnight success, join us for a deep dive into 10 Cannonball Adderley songs which chart the rise of a blues-drenched jazz great.
Somethin' Else is an album by American jazz saxophonist Julian "Cannonball" Adderley, recorded on March 9, 1958 and released on Blue Note in August later that year—his only album for the label. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note.
- Jazz , Hard Bop , Bebop
Julian Edwin "Cannonball" Adderley (September 15, 1928 – August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. [1] [2] [3] [4] Adderley is perhaps best remembered for the 1966 soul jazz single " Mercy, Mercy, Mercy ", [5] which was written for him by his keyboardist Joe Zawinul and became ...
- Somethin’ Else
- Nancy Wilson and Cannonball Adderley
- Know What I Mean?
- Mercy, Mercy, Mercy Live at “The Club”
- The Black Messiah: Live at The Troubadour
- The Cannonball Adderley Quintet in San Francisco
- Them Dirty Blues
- Cannonball Adderley Quintet in Chicago
- The Cannonball Adderley Sextet in New York
- Things Are Getting Better
Released in 1958 on Blue Note, thishard bopclassic has a star-studded lineup featuring Miles Davis, pianist Hank Jones, double bassist Sam Jones,Art Blakey on drums, and of course, Cannonball on alto sax. What makes this album significant is that these musicians came from varied musical backgrounds that created a vibrant, colourful yet organic musi...
Released September 1, 1962, on Capitol Records, this album has Cannonball on alto sax, brother Nat Adderley on cornet, Sam Jones playing bass, Joe Zawinulon piano and Louis Hayes on drums. Before you gloss over this one as ‘easy listening’ or disregard it because it’s vocal-heavy, consider this: not only was Cannonball a master on the alto sax but ...
Released 1961 on Riverside Records this album featuredBill Evans on piano, Cannonball on alto saxophone, Percy Heath on bass, and Connie Kay on drums. Imagine combining the post-bop stylings of Cannonball Adderley withthe cool jazz sound of Bill Evansbacked by Heath and Kay from The Modern Jazz Quartet. Rick Anderson at All Music Review quipped,“It...
This album, which was released in 1966 on Capitol Records, features the classic Cannonball Adderley Quintet, with the alto saxophonist joined on-stage by Nat Adderley, Joe Zawinul, drummer Roy McCurdy and bassist Victor Gaskin. The album, like the musicians themselves, is full of fun, mischief and musicality. The title track “Mercy, Mercy, Mercy!” ...
Originally released in 1971, followed by a reissued version in 2014, the album features a lineup of: 1. Cannonball Adderley (alto sax) 2. Nat Adderley (cornet) 3. George Duke (keyboards) 4. Walter Becker (bass) 5. Roy McCurdy (drums) On top of this, there are guest appearances by jazz legends including percussionists Airto Moreira and Buck Clarke, ...
Released in 1959, this genre-defining work of The Cannonball Adderley Quintet represents a quintessential piece of the jazz mosaic of subgenres and serves as a cornerstone for future soul jazz musicians. Cannonball’s quintet lineup for this album was as follows: Cannonball himself on alto sax, his brother Nat Adderley on cornet, Sam Jones on bass, ...
Recorded in March 1960, Them Dirty Bluesis made up of a collection of songsthat would leave a strong impression on the jazz scene. A six-piece band is put together for this album, with Cannonball Adderley (alto sax), his brother Nat Adderley (cornet), Barry Harris on tracks 1–4 (piano) Bobby Timmons on tracks 5 to 9 (piano), Sam Jones (bass), and L...
Another one of Adderley’s impressive quintet albums, perhaps the highlight on this one was the exciting alto-tenor interaction with legendary saxophonist John Coltrane. But the greatness of this work is not limited to these two. Wynton Kelly is on the piano, while Paul Chambers (bass) and Jimmy Cobb (drums) provide the rhythmic foundation of the qu...
Recorded and released in 1962, this album – perhaps more than any other – showcases the full spectrum of Cannonball’s virtuosity as a saxophonist and entertainer. Released by the Riverside label and recorded live at the Village Vanguard, the sextet consists of Julian Adderley (Cannonball) on alto sax, Nat Adderley on cornet, Yusef Lateef on tenor s...
Recorded in October 1958, Things Are Getting Better was released in 1959 by Riverside Label. The line-up for the recording featured Cannonball Adderley on alto sax, Wynton Kelly on piano, Milt Jackson on vibes, Art Blakey on the drums and Percy Heath on the double bass. The nine tunes in this album offer a little something for everyone’s taste, cov...
15. Sept. 2023 · Adderley’s arrival in the New York jazz scene feels a bit like a fairy tale: A young saxophonist from a faraway land (the South) arrives just three months after Charlie “Bird” Parker has ...
