Suchergebnisse
Suchergebnisse:
Ab Mitte der 1940er-Jahre spielte er immer wieder mit Kid Ory, um dann in der Folgezeit vorwiegend in den verschiedenen All-Star-Gruppen von Louis Armstrong mitzuarbeiten, so auch in dem Film noir Tödliches Pflaster Sunset Strip von 1951, in dem Armstrong mit seinem Orchester auftrat. 1955 verließ er Armstrongs Gruppe, um ...
In keeping with Ellington's formation of small groups featuring his primary soloists, Bigard continued to be featured under his own name on Variety and subsequently Vocalion Records and OKeh through 1940. When Ellington signed with Victor in 1940, Bigard (and other Ellingtonians) recorded for Bluebird under his own name.
September 1939 (Pyramid: 22. Juli 1938, Jitterbug's Lullaby: 1. August 1938, ohne Strayhorn) Cootie Williams & His Rug Cutters: Cootie Williams (tp), Tricky Sam Nanton (tb), Barney Bigard (cl), Harry Carney (bar), Johnny Hodges (as), Duke Ellington (p), Fred Guy (git), Billy Taylor (b), Sonny Greer (dr) – Echoes of Harlem, 19 ...
16. Juni 2021 · The album’s called Barney’s Bounce, and its 24 tracks hold all manner of delights, climaxed by some of Barney’s small-group tracks. But those drawn from his 1939 Jazzopators, with Rex, Tizol and Carney, tragically omit the dazzling Stompy Jones, which seems now to be lost to us forever. Harlem Airshaft, Across The Track Blues ...
THE CHRONOGICAL. DUKE ELLINGTON. AND HIS ORCHESTRA. 1939- 1940. WITH BEN WEBSTER, JIMMY BLANTON, IVIE ANDERSON, REX STEWART, JOHNNY HODGES, BARNEY BIGARD, COOTIE WILLIAMS, TRICKY SAM... 7 9 0. [fere. DIGITAL AUDIO. A.A.D. 2 Early Mornin’. 3 Killin' Myself. 4 Your Love Has Faded. 5 Country Gal. 6 Minuet In Blues. 7 Lost In Two Flats. 8 Honey Hush.
Barney Bigard (b. 1906) Quick Reference. B. Albany Leon Bigard, 3 March 1906, New Orleans, Louisiana, USA, d. 27 June 1980, Culver City, California, USA. Born into a highly musical family, Bigard began studying clarinet at ... From: Bigard Barney in Encyc ...
21. Jan. 2020 · In 1939, he also began to feature his soprano saxophone. And despite Barnet’s long-standing dedication to partying, he was a remarkably focused leader who was able to get the music out of his sidemen at a high level of excellence. With the success of his Bluebird recording of “Cherokee” in the fall of 1939, Barnet began getting ...
