Suchergebnisse
Suchergebnisse:
This book takes hip hop culture as its central focus for an investigation of African-American rapping in all its forms. It begins with the music's African roots and ends with the global...
Gary Byrd, DJ ?David Toop rolls away the stones to uncover a hidden world of B Boys, Hip Hoppers and Planet Rockers, where time is caught in a frantic loop, and where taste is a matter of "if it fits, use it"? Charlie Gillett ?Records the vertiginously metamorphic nature of Afro-American culture ― Village Voice.
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- Taschenbuch
1. Juni 1999 · Rap Attack, No. 3: African Rap to Global Hip Hop. David Toop. 3.80. 79 ratings7 reviews. Rap is bigger than ever and now very much part of the mainstream. Genres MusicHip HopNonfictionHistory. 224 pages, Paperback. First published June 1, 1999. Book details & editions. About the author. David Toop. 44 books96 followers. Follow.
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- Paperback
15. Juni 1999 · That's David Toop on the "electro" music of the early '80s--just one of many subjects handled with real sensitivity and street smarts in _Rap Attack_, a classic text now in its third edition. A musician as well as a writer, Toop conveys the magnitude of hip hop's revolution in sound--combining the musique concrete of Edgar Varese ...
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- 1999
- David Toop
- David Toop
This book takes hip hop culture as its central focus for an investigation of African-American rapping in all its forms. It begins with the music's African roots and ends with the global acceptance of rap as both commercial pop genre and voice of rage, a journey which encompasses West African griots, doo wop groups, jazz singers like Slim ...
Now with rap a multi-million dollar business and more important than ever in the culture, this new third edition of the rap classic examines the music's crisis of identity, following the fatal shootings of Tupac Shakur and The Notorious Big, gangsta rap overload and the resultant upsurge of nostalgia for old-school hip-hop and its now legendary ...
- David Toop
Summary: This work takes hip hop culture as its central focus for an investigation of African-American rapping in all its forms. It begins with the music's African roots and ends with the global acceptance of rap as both commercial pop genre and voice of rage.
