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  1. Moten war ein ausgezeichneter Stride-Pianist, der in den kleinen Clubs entlang der 18ten Straße von Kansas City auftrat. Er half zusammen mit Major N. Clark Smith, Dan Blackburn und Charles T. Watts die örtliche Musikerschutzvereinigung Local 627 – gegründet 1917 – aufzubauen. 1918 gründete er das B.B.& D. Orchestra (ein Ragtime -Trio ...

  2. Volume 3 of the chronological recordings of Bennie Moten and his Orchestra includes the second half of his numerous sides from July 1929 and ends midway through a monumental five-day session during the closing days of October 1930. The first six sides conclude the band’s summer excursion to the recording studios in Chicago.

  3. en.wikipedia.org › wiki › Bennie_MotenBennie Moten - Wikipedia

    Benjamin Moten (November 13, 1893 – April 2, 1935) [2] was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. [3] He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would ...

  4. Erfahren Sie mehr über Veröffentlichungen von Bennie Moten And His Orchestra - Vol. 1 - 16 Original Recordings From 1929-1930 auf Discogs. Lesen Sie Rezensionen und Empfehlungen und informieren Sie sich über Tracklisten, beteiligte Personen und Weiteres.

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  5. 31. März 2022 · We’ll concentrate on the years 1928-1930, emphasizing those sides on which William “Count” Basie assumed the piano chair full-time. Dan, thank you for joining me! 1928-30 were pivotal years in the evolving style of the Moten band, during which it absorbed key members of Walter Page’s Blue Devils, including pianist William “Count ...

  6. 10. Aug. 2011 · 17. 2.2K views 12 years ago. The famous orchestra of Kansas City led by ex-pianist Bennie Moten, with this 1930 recording of "Won't You Be My Baby?", an original composition by Moten...

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  7. The Moten sessions of July 1929 give the impression that the orchestra had somewhat stalled, or even regressed in musical ability. Perhaps the departure of Jesse Stone, who began to concentrate on his own bands, led to a return of the simple head arrangements and lack of ensemble cohesion that had marked the group's first recordings.