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  1. en.wikipedia.org › wiki › Wayne_WangWayne Wang - Wikipedia

    Wayne Wang ( traditional Chinese: 王穎; simplified Chinese: 王颖; pinyin: Wáng Yǐng; Jyutping: Wong4 Wing6; born January 12, 1949) is a Hong Kong-American film director, producer, and screenwriter. Considered a pioneer of Asian-American cinema, he was one of the first Chinese-American filmmakers to gain a major foothold in Hollywood.

  2. Wayne Wang (chinesisch 王穎 / 王颖, Pinyin Wáng Yǐng, Jyutping Wong 4 Wing 6, kantonesisch Wong Wing; * 12. Januar 1949 in Hongkong ) ist ein US-amerikanischer Regisseur chinesischer Herkunft. [1]

    • 12. Januar 1949
    • Wang, Wayne
    • Hongkong
  3. www.imdb.com › name › nm0911061Wayne Wang - IMDb

    Wayne Wang is a Hong Kong-born American director, producer and writer of independent and Hollywood films. He is known for The Joy Luck Club, Smoke, Maid in Manhattan and more.

    • January 1, 1
    • Director, Producer, Writer
    • Hong Kong
    • Wayne Wang
  4. 13. Mai 2024 · Wayne Wang is a Hong Kong-born film director, producer, and screenwriter who became one of the first major Asian directors in the United States. He directed both big-budget Hollywood studio motion pictures and low-budget independent films (without the backing of a major studio). His independent.

    • The Editors of Encyclopaedia Britannica
  5. 10. Apr. 2008 · Wayne Wang hat der damaligen britischen Kronkolonie Hongkong zweimal den Rücken gekehrt. Als junger Mann mit 18 Jahren um in Amerika Malerei und Film zu studieren und dann noch einmal Anfang...

  6. 31. Okt. 2023 · Wayne Wang, a poet of longing and a master of silence, talks about his films, his influences, and his approach to listening. He shares his personal stories, his challenges, and his insights on Criterion's release of \"Dim Sum: A Little Bit of Heart\".

  7. Roger Ebert talks to Wayne Wang, the director of \"A Thousand Years of Good Prayers\" and \"The Princess of Nebraska\", about his personal and artistic journey. They discuss the themes, challenges and influences of his films, especially his exploration of the cultural divide between Chinese immigrants and their Americanized children.