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  1. R&B from the Marquee is an album by Alexis Korner's Blues Incorporated released in November 1962 on Decca Records. Blues Incorporated was a British rhythm and blues band in the early 1960s. Although never very successful commercially, it was extremely influential on the development of British rock music in the 1960s and later.

    • British Rhythm And Blues , Blues Rock [1]
  2. R&B from the Marquee ist das Debütalbum von Alexis Korner ’s Blues Incorporated. Es erschien im November 1962 auf dem Decca - Sublabel Ace of Clubs (ACL 1130) und gilt gemeinhin als erstes in Großbritannien aufgenommenes Bluesalbum. Inhaltsverzeichnis. 1 Album-Geschichte. 2 Titelliste. 3 Literatur. 4 Weblinks. 5 Einzelnachweise. Album-Geschichte.

  3. 1973 — UK. Vinyl —. LP, Album, Stereo. Explore the tracklist, credits, statistics, and more for R & B From The Marquee by Alexis Korners Blues Incorporated. Compare versions and buy on Discogs.

    • (241)
    • Blues
    • 339
    • 1963
  4. View credits, reviews, tracks and shop for the 1996 Vinyl release of "R&B From The Marquee" on Discogs.

    • (19)
    • US
    • 31
    • Original Master Recording, ANADISQ 200™
  5. Alexis Korner's Blues Incorporated. "R&B From The Marquee" Side 1. 1. Gotta Move (Korner) 2:28. 2. Rain Is Such A Lonesome Sound (J.&R.Witherspoon) 2:49. Vocal: John Baldry. 3. I Got My Brand On You (Waters) 3:46. Vocal: Cyril Davies. 4. Spooky But Nice (Davies) 2:57. 5. Keep Your Hands Off (Davies) 2:28. Vocal: Cyril Davies. 6.

  6. AllMusic Rating. User Rating (0) Your Rating. STREAM OR BUY: Release Date. November, 1962. Duration. 34:31. Genre. Blues. Styles. Blues Revival, Blues-Rock, British Blues, Electric Blues, Regional Blues. Recording Date. June 8, 1962. Discography Timeline. See Full Discography. R&B from the Marquee (1962) Red Hot from Alex (1964)

  7. Released in 1962, R&B from The Marquee is a magical and deeply addictive album. The band had so much passion and respect for the Blues that they all gave it their all. The American Bluesmen were not known for building albums, it was mostly, with a few exceptions, compilations with a lot of filler and B-sides.