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The 1947 recording of Verdi's Otello by Arturo Toscanini and the NBC Symphony Orchestra and chorus is regarded as one of the most notable early Verdi opera recordings. The role of Otello was sung by Ramón Vinay , Desdemona by Herva Nelli , and Iago by Giuseppe Valdengo , and Cassio by tenor Virginio Assandri .
- Welcome to Gramophone ...
- The Early Recordings
- Ramón Vinay
- The Age of Stereo
- The Otello of Our Time – on CD
- Otello in Translation
- Otello on DVD
- The Top Choice
- Stereo Choice
- Historic Choice
We have been writing about classical music for our dedicated and knowledgeable readers since 1923 and we would love you to join them. Subscribing to Gramophoneis easy, you can choose how you want to enjoy each new issue (our beautifully produced printed magazine or the digital edition, or both) and also whether you would like access to our complete...
Our first recording comes from La Scala in 1931/32, and it’s astonishingly good for its age. Carlo Sabajno gets disciplined singing from the chorus in Act 1 (‘Vittoria!’ and ‘Fuoco di gioia!’). Nicola Fusati and Apollo Granforte as Otello and Iago are imprecise with their rhythm, but Fusati has ringing top notes and Granforte colours his tone to ex...
The leading Otello in the years immediately after the Second World War was the Chilean tenor Ramón Vinay. He began his professional career as a baritone, and it’s the baritonal darkness of his voice that informs his recorded performances. There’s a live 1955 recording from Covent Garden under Kubelík (9/06; available on iTunes and elsewhere as a do...
Further live performances by Vinay from the 1950s have appeared over the past few years, but it was some time before Otello benefited from a recording in stereo. Mario Del Monaco, only three years younger, was soon treading on Vinay’s heels. His 1950 recording on Myto from Buenos Aires, billed as his first ever Otello, can safely be ignored. A stud...
The McCracken performances at Covent Garden were conducted by Georg Solti. In 1977, Solti made a fine – yet easily overlooked – recording in which Carlo Cossutta makes a strong entrance; and after the storm, the Vienna State Opera chorus manages a beautiful pianissimo. If Gabriel Bacquier’s Iago sounds strained here and there, Margaret Price sings ...
There’s a surprising number of recordings in the vernacular. Two come from Preiser. Singing in German, Torsten Ralf is trumpet-toned for Karl Böhm (Vienna, 1944), and Set Svanholm leads a fine Swedish-language performance for Sixten Ehrling (Stockholm, 1953/54). Two German recordings from Walhall also sound well. Under Herbert Kegel (Leipzig, 1954)...
The first thing to say about the Zeffirelli film (EMI) is that it is Zeffirelli’s Otello, not Verdi’s. In a word, the score has been butchered. And the second thing is that the recording has been transferred more than a semitone too low. (It’s conducted by Maazel, and the CD version mentioned above is complete and at the correct pitch.) It is chees...
Opéra Bastille / Chung Domingo and Leiferkus again on top form, with a tender, vulnerable Desdemona from Cheryl Studer and impeccably responsive conducting from Myun-Whung Chung. Almost as good are Domingo and Bruson in the live performance from Vienna under Zubin Mehta.
Rome Opera / Serafin What a pity that Tito Gobbi’s Iago was never captured on film. But this recording is treasurable all the same, with Gobbi partnered by the young Jon Vickers. Leonie Rysanek is in fine voice as Desdemona, and Tullio Serafin conducts superbly.
New York Met Opera / Busch The historic choice has to be one of the performances starring Ramón Vinay, the outstanding Otello after Martinelli and before Domingo. By a small margin, this one from the New York Met under Fritz Busch is the one to go for. Otherwise, the famous Toscanini set is still magnificent.
6. Juli 2017 · Verdi: “Otello,” with Ramón Vinay, Herva Nelli, Giuseppe Valdengo, NBC Symphony and Chorus, Studio 8-H, 1947. James Levine’s nomination for the greatest opera recording ever made. Very ...
5. Feb. 2020 · Toscanini’s 1947 radio broadcast of Otello with the NBC Symphony Orchestra remains one of the opera’s most legendary recordings. Performed sixty years after the premiere, it features the Chilean tenor Ramón Vinay in the title role. The Italian-American soprano, Herva Nelli, is cast as Desdemona, and the baritone Giuseppe ...
NBC Symphony Orchestra/Arturo Toscanini. Guild Toscanini Broadcast Legacy GHCD2275/7 3CDs 205m ADD 1947 recordings. This legendary recording of Verdi's 'Otello' has been spoken about in laudatory terms and after hearing it in one white hot session, I can definitely confirm that the sound is truly state of the art for 1947.
The 1947 recording of Verdi's Otello by Arturo Toscanini and the NBC Symphony Orchestra and chorus is regarded as one of the most notable early Verdi opera recordings. The role of Otello was sung by Ramón Vinay, Desdemona by Herva Nelli, and Iago by Giuseppe Valdengo, and Cassio by tenor Virginio Assandri.
Arturo Toscanini - The Essential Recordings, 150th Anniversary Edition. NBC Symphony Orchestra, New York Philharmonic*, The Philadelphia Orchestra†. rec. 1929-1952. RCA RED SEAL 88985 376042 [20 CDs: ca 20 hrs] Can you remember when you lost your Toscanini virginity?
