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In keeping with Ellington's formation of small groups featuring his primary soloists, Bigard continued to be featured under his own name on Variety and subsequently Vocalion Records and OKeh through 1940. When Ellington signed with Victor in 1940, Bigard (and other Ellingtonians) recorded for Bluebird under his own name.
Cootie Williams, Rex Stewart, Wallace Jones (t), Joe Nanton, Lawrence Brown, Juan Tizol (tb), Barney Bigard (cl, ts), Otto Hardwicke (as), Johnny Hodges (as, ss), Harry Carney (bar, cl, as), Duke Ellington (p), Billy Taylor (sb), Sonny Greer (d), Ivie Anderson (vo). Ritz Carlton, Boston, July 26, 1939. East St. Louis Toodle-Oo (Ellington) 1:01.
Ende 1940 wirkte er beim legendären Konzert in Fargo, North Dakota mit. 1942, nach seinem Ausscheiden aus dem Ellington-Orchester zog er nach Los Angeles und arbeitete zeitweise mit einer eigenen Band, mit der er Etta Jones bei ihren Aufnahmen für Black & White Records begleitete.
(Barney Bigard) 10-16-1939: New York, New York: Vocalion 5422: Four And One Half Street (Rex Stewart / Duke Ellington) 4-29-1937: New York, New York: Vocalion v3820 Variety VA 564: Frolic Sam (Clarence Williams) 12-19-1936: Hollywood, California: Vocalion v3813: Get It Southern Style: 6-16-1937: New York, New York: Vocalion v3828: Honey Hush ...
The Duke In Boston, 1939-1940 performed by Duke Ellington, 1899-1974, Harry Carney, 1910-1974, Johnny Hodges, 1906-1970, Sonny Greer, Otto 'Toby' Hardwick, Barney Bigard, 1906-1980, Tricky Sam Nanton, 1904-1946, Juan Tizol, 1900-1984, Lawrence Brown, 1907-1988, Cootie Williams, 1911-1985, Rex Stewart, 1907-1967 and Wallace Jones, 1906-1983 ...
DISCOGRAPHY DUKE ELLINGTON 1939 -1940 DUKE ELLINGTON: piano solo. New York, October 14, 1939. WM-1100-A ColumbiaBlues WM-tIZO-A. rejected BARNEY BIGARD AND HIS ORCHESTRA: Rex Stewart-c/Barney Bigard-cl/Harry Carney-bar/Duke Ellington- p/Jimmy Blanton-sb/Sonny Greer-d. WM-1105-A VocalionEarly Mornin’ New York, October 16, 1939. 5422
16. Juni 2021 · Harlem Airshaft, Across The Track Blues and three more small-group tracks with Duke come from 1940. But Barney permeates any of the 1940 output in his final pirouetting with Duke, and you should have or listen to the whole year’s output. And those wonderful tracks by the team of Rex, Barney and Django, represented only by I Know ...
