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Richie Furay, from Desperados: the roots of country rock. The album also features Furay's rendition of the Parsons composition "Brass Buttons", which Furay said that Parsons had originally taught him back in Greenwich Village. In fact, the song debuted on Crazy Eyes, as Parsons' own recording, on his album Grievous Angel, was not released until January 1974, four months later—and also four ...
Nach "Crazy Eyes" schmiss mit Richie Furay - nach Jim Messina zwei Jahre zuvor - ein weiterer 'Mann der ersten Stunden' wegen anhaltender Erfolglosigkeit hin. Ironischerweise landete er wenig später mit dem Debütalbum der Souther Hillman Furay Band und einem Outtake von "Crazy Eyes", "Believe Me", mit Platz 11 einen echten Charterfolg.
Explore the tracklist, credits, statistics, and more for Crazy Eyes by Poco. Compare versions and buy on Discogs
- (418)
- Rock
- 414
- Classic Rock, Country Rock
16. Dez. 2019 · (Furay had already been approached about the prospect of forming a new group with Chris Hillman and J.D. Souther.) Poco would survive without him. Paul Cotton and Timothy B. Schmit were both capable songwriters and singers, and George Grantham could carry a tune.
21. Aug. 2021 · Crazy Eyes was the highest charting of Poco’s first ten studio albums, but at #38, it still wasn’t the level of success they had hoped for. Richie Furay left to join The Souther-Hillman-Furay band with Chris Hillman and J.D. Souther. Instead of replacing Furay, Rusty Young stepped up his songwriting and vocal work. Poco followed ...
26. Jan. 2015 · Poco – Crazy Eyes (2015, Vinyl) - Discogs. Poco (3) – Crazy Eyes. Tracklist. Hide Credits. Credits. Art Direction, Design – Gary Burden. Engineer [Recording] – Brian Christian. Fiddle – Bill Graham * Mandolin – Chris Hillman. Mastered By – Doug Sax. Percussion – Joe Lala.
31. Aug. 2022 · “Even though Steve Stills and Chris Hillman followed us there, it wasn’t LA. It was the last place he wanted to be. He moved in a different crowd and he wanted that fast-moving, celebrity California scene. I noticed how at gigs there’d be two lines of people. One was all these good-looking women who wanted to meet Timothy B Schmit, and the other was hairy-legged old boys who wanted to ...
