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  1. Miles of Aisles ist das erste Livealbum von Joni Mitchell, das 1974 veröffentlicht wurde. Es ist ein Doppelalbum, das die Konzerte mit ihrer Begleitband L.A. Express dokumentiert, die 1973 von Tom Scott gegründet wurde. Es erreichte Platz 2 im Billboard 200 und wurde eines ihrer meistverkauften Alben. Es wurde von der Recording ...

  2. Tom Scott – woodwind instruments, harmonica; Robben Ford – electric guitar; Larry Nash – piano; Max Bennett – bass; John Guerin – drums, percussion; Technical. Henry Lewy – sound engineer, mixing; Ken Caillat – Live Tracking engineer (for Wally Heiders) Anthony Hudson – art direction; Mobile Recording: Wally Heider ...

  3. Later that year, when 'Miles of Aisles' was released I went out and bought a copy right away. I found it very cool that the cover depicted Merriweather in all its glory. But even more amazing was the back gatefold cover, where it appears that while I was listening to the sound check, Joni was behind me taking photos. And right down there in the front are two lone figures, checking out the ...

  4. Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell's successful concert tour of last winter. It's a strong album of her best songs performed mostly informally, backed on sides one and four by reedman Tom Scott and his band - an interesting album because it displays an occasional ...

  5. By Stephen Davis. February 13, 1975. Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell’s successful concert tour of last winter ...

  6. 15. Jan. 2024 · Tom Scott's sax in "Big Yellow Taxi" fires from the front right channel up into the heights, while keyboards percolate from behind and electric guitar highlights appear suspended between the front left and side left speakers. Miles of Aisles also features a number of selections from Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). I ...

  7. 26. Feb. 2020 · In an unexpected move, Mitchell closes Miles of Aisles with two new tracks, Jericho and Love or Money. They’re both unimpeachably smart songs. Even so, you get the sense that Joni may have mined this period of jazz-pop to its full extent and it was time to move on—which is exactly what she did on The Hissing of Summer Lawns.