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John Abercrombie (* 16. Dezember 1944 in Port Chester, New York; † 22. August 2017 in Cortland, New York [1]) war ein US-amerikanischer Gitarrist. Sein Spiel zwischen Modern Jazz und Fusion, auf elektrischer und akustischer Gitarre, in kleinen wie auch in großen Besetzungen, galt als sehr vielseitig.
Excellent album of electric jazz/fusion guitar veteran John Abercrombie. In the first decade of new century he plays very aerial, extremely elegant and tasteful contemporary jazz. His electric guitar is only electric instrument on all recording, it's supported by acoustic rhythm section and violin.
Formerly of. Dreams, Gateway. John Laird Abercrombie (December 16, 1944 – August 22, 2017) was an American jazz guitarist. [1] [2] His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
18. Sept. 2023 · All About Jazz is celebrating John Abercrombie's birthday today! Over a career spanning more than 40 years and nearly 50 albums, John Abercrombie has established himself as one the masters of jazz guitar. Favoring unusual sounds (he played electronic mandolin on McCoy Tyner's 1993 album 4x4) and nontraditional ensembles (recent ...
5. Jan. 2012 · John Abercrombie electric and acoustic guitars, guitar synthesizer Marc Johnson bass Peter Erskine drums Michael Brecker tenor saxophone Recorded April 1987 at Power Station, New York Engineer: James Farber Produced by Lee Townsend. This trio—consisting of John Abercrombie on guitars (still favoring synth treatments at this point), Marc ...
19. Jan. 2011 · Just four months after the historic Gateway 2 session, John Abercrombie stepped into Oslo’s Talent Studio to record Characters, his first and only solo album for ECM. While the guitarist’s trademark electric lurks here and there, a modified mandolin takes the strongest lead. The album also features about as much acoustic as one ...
1. Nov. 2018 · In a 2004 JazzTimes article, David R. Adler observed that Abercrombie had “sacrificed some velocity and fluidity for increased body, and his electric sound, once distant, harder to follow, now has more texture and substance.” Abercrombie reflected on his evolution as well, “I think my time improved. I feel more connected to the ...
