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  1. 2. Mai 2024 · Legendary recording engineer Rudy Van Gelder was responsible for the sound of some of the most important studio albums in the history of jazz. But he was also a live recording pioneer, read our pick of his live albums for Blue Note and Impulse!

  2. While the vast majority of recordings in Rudy Van Gelders discography are studio recordings, he also managed to record his fair share of classic live albums.

  3. Rudolph „Rudy“ Van Gelder war ein US-amerikanischer Tonmeister und Betreiber eines eigenen Tonstudios, das sich auf Jazz-Aufnahmen spezialisiert hatte. Während der 1950er und 1960er Jahre wurde Van Gelder insbesondere durch seine Arbeiten für das Musiklabel Blue Note Records bekannt; er arbeitete mit nahezu allen wichtigen ...

  4. Rudy Van Gelder, or “RVG” as most jazz fans know him, was responsible for laying to tape thousands of classic jazz recordings spanning a period of six decades, which were released on a variety of labels including Blue Note, Prestige, Savoy, Impulse, Verve, and CTI. His rise from obscurity to engineering fame centered on a unique approach to ...

    • 55 Lounge Soundtracks Rudy Van Gelder1
    • 55 Lounge Soundtracks Rudy Van Gelder2
    • 55 Lounge Soundtracks Rudy Van Gelder3
    • 55 Lounge Soundtracks Rudy Van Gelder4
    • 55 Lounge Soundtracks Rudy Van Gelder5
  5. 25. Juni 2023 · His fans covet his recordings for their transparency, clarity, realism, warmth, and presence. And his sound, "the Van Gelder Sound," helped define the sound of jazz during the classic analog era (the '50s & '60s) and is an easily recognizable and unique sonic signature.

    • Brian Eaton
  6. 26. Aug. 2016 · Im Alter von 91 Jahren ist am 25. August der Toningenieur Rudy Van Gelder gestorben, der den Sound zahlloser Jazzklassiker bei Blue Note, Prestige, Verve und.

  7. 26. Aug. 2016 · The Blue Note sound, in its early incarnation, was pretty much the live sound of Art Blakey's Jazz Messengers. But this art didn't come naturally. Van Gelder may have been the first engineer to exploit the wonders of Neumann microphones and to push the levels as high as the tape of his day could absorb.