Tickets für Konzerte, Musicals und Shows in ganz Deutschland bei Eventim kaufen. Eins von vielen Events auswählen und Tickets beim Marktführer bestellen.
- Musicals bei Eventim
Erlebe wunderschöne Musicals &
faszinierende Shows live!
- Hard & Heavy Konzerte
Erlebe die besten Rock-,
Metal-, Punk- & Hardcore-Konzerte.
- Musicals bei Eventim
Suchergebnisse
Suchergebnisse:
The Best Is Yet to Come - The Songs of Cy Coleman. 2011. Listen to I Love My Wife (Backers' Audition Recording) by Cy Coleman, Michael Stewart & Laurie Beechman on Apple Music. Stream songs including "Introduction", "Introduction to "We're Still Friends"" and more.
14. Apr. 2024 · Learn about I Love My Wife: Backer's Audition - Score by Cy Coleman and Michael Stewart. Part of Harbinger Records' Broadway Backers Auditions series. Coleman and Stewart...
17. Dez. 2019 · Another in Harbinger Records' acclaimed series of Broadway Backers' Auditions, I Love My Wife Backers' Audition is a swinging romp about swinging singles with an equally swinging score by Cy Coleman and Michael Stewart. And it's those songwriters who play the score and narrate the story.
- (9)
- Cy Coleman
- $16.99
I Love My Wife: Backers' Audition by Laurie Beechman, Cy Coleman, Austin Pendleton. Find album reviews, track lists, credits, awards and more at AllMusic.
Description. Another in Harbinger Records’ acclaimed series of Broadway Backers’ Auditions, I Love My Wife Backers’ Audition is a swinging romp about swinging singles with an equally swinging score by Cy Coleman and Michael Stewart. And it’s those songwriters who play the score and narrate the story.
Explore the tracklist, credits, statistics, and more for I Love My Wife by Cy Coleman, Michael Stewart. Compare versions and buy on Discogs
Synopsis. Song list. Productions. Response. Critical reviews. Awards and nominations. Original Broadway production. Original London production. Watch and listen. References. External links. I Love My Wife is a musical with a book and lyrics by Michael Stewart and music by Cy Coleman, based on a play by Luis Rego. [1]
