Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Charlotte Champe Eliot (née Stearns; October 22, 1843 – September 10, 1929), was an American school teacher, poet, biographer, and social worker.

  2. Charlotte Champe Stearns. 1843–1929. I do long for you, I wanted you more for my sake than yours – to sing the Little Tailor to me. (to His Mother, 12 January 1919) next →. The poet’s mother, born on 22 October in Baltimore, Maryland, the second child and second daughter of Thomas Stearns (1811–96) and Charlotte Blood Stearns (1818–93).

  3. 14. Dez. 2019 · CharlotteChampe Eliot formerly Stearns. Born 22 Oct 1843 in Baltimore, Maryland, USA. Ancestors. Daughter of Thomas Stearns Jr and Charlotte (Blood) Stearns. [sibling (s) unknown] Wife of Henry Ware Eliot — married 27 Oct 1868 in Lexington, Massachusetts. Descendants.

    • Female
    • October 22, 1843
    • Henry Ware Eliot
    • September 10, 1929
  4. Charlotte Champe Stearns Eliot (1843–1929), the poet’s mother, was born on 22 October 1843 in Baltimore, Maryland, the second child and second daughter of Thomas Stearns (1811–96) and Charlotte Blood Stearns (1818–93). She went first to private schools in Boston and Sandwich, followed by three years at the State Normal School ...

  5. Charlotte Champe Stearns Eliot (October 22, 1843–September 10, 1929) was a school teacher, poet, social worker, and the mother of T. S. Eliot. Born in Baltimore, Maryland, Eliot graduated from the State Normal School of Framingham, Massachusetts in 1862. Her teaching career led her to Pennsylvania, Milwaukee, Antioch College, Massachusetts ...

    • Joel Minor, St. Louis, 63130, MO
    • (314) 935-5495
  6. Charlotte Champe Stearns (1843 – 1929) Thomas Stearns Eliot (1888 – 1965) better known as T.S. Eliot; Christopher Rhodes Eliot (1856 – 1945) m. Mary Jackson May Frederick May Eliot (1889 – 1958) Dr. Martha May Eliot (1891 – 1978) domestic partner Ethel Collins Dunham (1883 – 1969) Abigail Adams Eliot; Edward Cranch Eliot ...

  7. Charlotte Champe Stearns, to his life and works. In doing so, it radically rethinks Eliot’s ambivalence towards women. In a context of mother–son ambivalence (simultaneous feelings of love and hate), it shows how his search for belief and love converged with a developing maternal poetics.