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9. Jan. 2021 · Shaw was impressed by Conniff’s work as an arranger whose charts provided the jazz soloists in the band, and that definitely included Shaw, a comfortable framework within which they could swing. Those soloists included Hot Lips Page, both as a fiery trumpeter and as a singer, Georgie Auld on tenor saxophone, Johnny Guarnieri on ...
- “Blues in the Night” (1941) Artie Shaw and Hot Lips Page
Artie Shaw and some of his sidemen take a break on the Steel...
- “Blues in the Night” (1941) Artie Shaw and Hot Lips Page
5. Mai 2018 · Artie Shaw and some of his sidemen take a break on the Steel Pier in Atlantic City, New Jersey – early September 1941. L-R: Hot Lips Page, Shaw, Max Kaminsky, Ray Conniff, Steve Lipkins and Morey Samel. On September 6, the new Shaw Orchestra appeared at the Marine Ballroom on the Steel Pier at Atlantic City, NJ, a prime booking ...
Hot Lips Page, ca. Juni 1946. Fotografie von William P. Gottlieb. Oran Thaddeus Page, genannt Hot Lips, (* 27. Januar 1908 in Dallas, Texas; † 5. November 1954 in New York) war ein amerikanischer Jazztrompeter und Sänger
11. Juni 2014 · Luck’s in My Corner is a comprehensive biography of one of the most compelling jazz musicians of the Swing Era, Oran "Hot Lips’ Page. Page was the greatest of the Kansas City trumpeters, whose...
21. Aug. 2022 · His luck seemed to have changed in 1941, when he joined Artie Shaw and featured on hit recordings of Blues In The Night and St James Infirmary, sounding magnificent on the latter. However, the ever-restless Shaw then disbanded to join the navy, so the beckoning stardom for Lips faded.
- Hugh Rainey
Page toured extensively throughout the southern United States, and throughout the northeast and Canada at the head of as many as 13 different big bands during the 1930s and 1940s. He appeared briefly with Bud Freeman 's Orchestra in 1938, and was a featured vocalist and hot soloist with Artie Shaw 's Symphonic Swing Orchestra in 1941 ...
A: Hot Lips Page's recorded output tells the story, one that reflects nearly every aspect of the blues-inflected idiom at the core of 20th century American popular culture. By way of proxy, in response to the historian's query, “Were you there?" Lips's discography provides us with the answer (a definitive “yes"), and as such is a testament ...
