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  1. 1998 erschien unter dem Alias LB das Album Pop Artificielle mit Coverversionen u. a. von James Brown, Prince und David Bowie aus den 1980er Jahren. Seit 1999 veröffentlichte Schmidt gemeinsam mit Bernd Friedmann mehrere Alben unter dem Projektnamen Flanger.

  2. Pop Artificielle is a 1998 album by "lb" (which refers to "Lassigue Bendthaus", one of the many aliases of musician Uwe Schmidt). All of the songs are covers of pop songs from the 1960s, 70s, and 80s. The entire album, as the title implies, is designed to sound very synthetic, incorporating special vocal processing and elements of ...

  3. en.wikipedia.org › wiki › Uwe_SchmidtUwe Schmidt - Wikipedia

    Pop Artificielle caused quite a media reaction worldwide, due to the fact that the album contained electronic cover versions of famous pop and rock songs. Pop Artificielle stylistically may be considered as being one of the first productions that merged song structures with sounds coming from a '90s techno background.

  4. New electronic interpretations of classic pop hits by Uwe Schmidt. Recording process: Instrumentals of 'Superbad', 'Be Near Me', 'Jealous Guy', You Are In My System', 'The Future' and 'Thatness And Thereness' programmed and recorded at 'sel i/s/c', Frankfurt.

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  5. Uwe Schmidt of Lassigue Bendthaus covering various classic songs. Instrumentals of tracks 1, 2, 4 to 6, 8 programmed and recorded at 'Sel i/s/c', Frankfurt. Instrumentals of tracks 3, 9, 10 programmed and recorded at 'Mira Musica', Santiago.

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  6. 4. Dez. 2013 · It’s difficult to recommend a representative entry point to the work of German electronic composer Uwe Schmidt, both because his discography is spread across several dozen monikers and because his recordings under any given name often sound completely different from his other projects.

  7. atom-tm.com › portadaatom-tm.com

    Right after the release and re-release of the "Lassigue Bendthaus" albums, Schmidt began to work on the last album to be released under that project name called "Pop Artificielle". 1995-1998 In 1995, Uwe Schmidt collaborated with Bill Laswell and Tetsu Inoue on the FAX release "Second Nature" which was recorded at Laswell's studio in Brooklyn.