Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. New Directions is an album by Jack DeJohnette, recorded in June 1978 and released on ECM later that year. The quartet features trumpeter Lester Bowie, guitarist John Abercrombie, and bassist Eddie Gomez.

  2. New Directions in Europe is a live album by Jack DeJohnette featuring Lester Bowie, John Abercrombie and Eddie Gómez recorded in 1979 and released on the ECM label in 1980. Jack DeJohnette: drums, piano . Lester Bowie: trumpet . John Abercrombie: guitar, mandolin guitar . Eddie Gómez: bass

  3. Jack DeJohnette – New Directions. More images. Tracklist. Credits (8) Eddie Gomez. Bass. Jack DeJohnette. Drums, Piano. Jan Erik Kongshaug. Engineer. John Abercrombie. Guitar, Mandolin. Dieter Bonhorst. Layout. Roberto Masotti. Photography By. Show more credits... Notes. Recorded June 1978 at Talent Studio, Oslo, Norway. Versions. Filter by. Format

    • (182)
    • Jazz
    • 117
    • Fusion, Avant-garde Jazz, Post Bop
  4. 19. Nov. 2019 · The track features dynamic, Latin-licked drumming, a strong, melodic solo from Gomez and some inspired fretwork from Abercrombie, who’s playing here is fluid, adventurous and upfront, as opposed to limp and lost in the back of the mix as it appears to be through much of the album.

    • Mark Youll
  5. Ende der 1970er war er Mitglied in DeJohnettes Band New Directions . Um 1980 arbeitete Abercrombie mit einer Quartett-Formation mit Richie Beirach, George Mraz und Peter Donald, daneben auch im Trio mit David Earle Johnson und Dan Wall bzw. Jan Hammer und im Trio mit Jan Garbarek und Naná Vasconcelos.

  6. New Rags (ECM, 1977) with Directions; New Directions (ECM, 1978) New Directions in Europe (ECM, Live 1979, rel. 1980) With Peter Erskine. Transition (Denon, 1987) Motion Poet (Denon, 1988) With Danny Gottlieb. Aquamarine (Atlantic Jazz, 1987) Whirlwind (Atlantic, 1989) Brooklyn Blues (Big World, 1991) with Jeremy Steig, Gil Goldstein ...

  7. 30. Juli 2011 · Six-stringer John Abercrombie weaves his fingers through the loom of reflection, adjusting the microscope until the dividing cells of Lester Bowie’s trumpet come clearly into focus. This quintessential chunk of tactile birth cycles through a chain of experiences, each the sum of another life before. Once DeJohnette reverts to his ...